zelda
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Nintendo defied expectations today with an E3-timed Direct showing off not the hoped-for new Switch hardware but a dozen or so new games — as well as a general release window for the much-anticipated next Zelda game. And to celebrate the original’s 35th anniversary, it will sell a new Game & Watch featuring the first three games in the series.
Among other things, Nintendo showed off remasters or remakes of titles from the “Monkey Ball,” “Mario Party,” “Advance Wars, “Wario Ware” and other series, and announced new entries in the “Mario + Rabbids” and “Shin Megami Tensei” worlds. Other newly announced or teased games will be making it to Switch as well, like the new “Guardians of the Galaxy.”
Perhaps most surprising was the inclusion of a new side-scrolling Metroid game, the first in nearly 20 years — and in fact, it has been in and out of development for half that time. “Metroid Dread,” the fifth in the mainline series that began on the NES, will release October 8, and we’ll see if Nintendo has managed to keep pace in a genre it pioneered but others have refined.
Everyone was hoping for Zelda news, however, and Nintendo… only slightly disappointed us. As the announcers noted, it’s the 35th anniversary of the NES original, and the perfect time to announce something truly special, but they have “no campaigns or other Nintendo Switch games planned.”
Instead, they offered an admittedly tempting Game & Watch in the style of the one we saw released last year for the Mario series. I had lots of good things to say about that device, and the new one will no doubt be just as fun. The ability to pause the game and pick it up later (but not rewind or save states) should make for a fun, authentic playthrough of the first three games in the Zelda series: “The Legend of Zelda” and “Zelda II: The Adventure of Link” for NES, and “Link’s Awakening” for Game Boy (recently remade).
The last item on the list was a new look at the follow-up to Breath of the Wild, which years after its debut still shines as one of the, if not the, best game on the Switch. Its sequel has a lot to live up to!
While the first trailer was all cinematic, this one showed gameplay and the overworld, including a new level of verticality that brings flying fortresses and castles in the air into play. It certainly looks impressive, but one wonders how much further the company can push its Switch hardware. After all, “Breath of the Wild” pushed the system to its limits at its debut, and even then it was not as powerful as its rivals from Microsoft and Sony — both now replaced by a new generation.
One hopes that Nintendo is simply being weird and has a trick up its sleeve, as it has many times before. The Switch was announced out of nowhere, and previous hardware updates have also dropped with little or no warning and seemingly arbitrary timing. What’s expected is an updated Switch that’s physically the same dimensions but considerably updated inside and using a larger, better display. Perfect backwards compatibility, like with the 3DS series of handhelds, also seems only logical. But Nintendo has always done its own thing and its fans wouldn’t have it any other way.
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It’s going to be a while before players can get their hands on the Breath of the Wild sequel teased at the end of Nintendo’s E3 Direct earlier today. The good news, however, is that Nintendo’s got a few other Zelda-related adventures in the pipeline before that. There’s the compelling beat-based Cadence of Hyrule, due out this Thursday, and later this year, the company is releasing a remastered version of the Game Boy classic, The Legend of Zelda: Link’s Awakening.
That one’s due out in September. As is the case with a number of recent titles (see: most of Square’s presser from earlier this week), Link’s Awakening isn’t so much a new game as a revamp of an older one designed to get the most out of the latest technology.
Here that means more than most, however. Released in 1993, the original version of the game was subject to the Game Boy’s 8-bit, monochrome limitations. The title began life as a portable port of the third Zelda game, SNES’s A Link to the Past, but ultimately became a real boy under the direction of long-time Nintendo producer Shigeru Miyamoto.
The Link to the Past connection is very much present. Link’s Awakening feels cut from the same Hyrulian cloth as A Link to the Past. As someone who’s old enough to have played the original title during its first go-round, things came trickling back to me during a gameplay demo at E3. But the graphical advances are pretty substantial. The game is a far cry from the 1998 Game Boy Color reissue, The Legend of Zelda: Link’s Awakening DX.
Link’s Awakening is very much a Zelda title through and through, but the visuals are more than enough to make it feel like a fresh title. A direct line for the character design can be drawn to the GameCube’s The Wind Waker, when Link became decidedly more adorable. That’s coupled with the familiar 3/4 RPG perspective that was a staple of the franchise’s early days.
The backgrounds have been refreshed nicely, with a kind of tilt-shift style art that selectively blurs out set pieces. As someone who plays Switch almost exclusively as a handheld, it was refreshing to see it played out on the big screen.

Gameplay came back in a flash. Though a rep had to walk me through a few pieces of the first mission: finding a magic mushroom for a witch’s potion. It’s all very Macbeth. Or the Scottish video game. Nintendo did a much longer walkthrough on Treehouse this morning, all of which should prove familiar if you’ve played the original.
Nothing quite scratches the itch of a new Zelda title, but a full revamp of a Game Boy game more than a quarter century after the original comes close.
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The afternoon brought an eventful series of announcements from Nintendo in one of its Direct video promos, and 2019 is looking to be a banner year for the Switch. Here’s everything the company announced, from Super Mario Maker 2 to the unexpected remake of Game Boy classic Link’s Awakening.
The stream cold opened with a look at the new Mario Maker, which would honestly be enough announcement for one day. But boy did they have more up their sleeves.
Shown last but likely to garner the bulk of the internet’s response is the remake of Link’s Awakening, which came out more than a quarter of a century ago on Game Boy. I admit to never finishing this, but I loved the feel of it, so I’m dying to play this new tilt-shifted, perspective-switching 3D version.
Platinum has an intriguing new game called Astral Chain, in which you appear to control two fighters at the same time in some crazy-looking robot(?)-on-robot action. Talent from The Wonderful 101, Bayonetta and Nier: Automata ensure this will be worth keeping an eye on.
The recent trend of battle royale and perhaps the best game ever made, Tetris, combine in Tetris 99, where 100 people simultaneously and competitively drop blocks. It looks bonkers, and it’s free on Switch starting right now.
Fire Emblem: Three Houses got a long spot that introduced the main characters, whom you’ll no doubt ally with and/or be betrayed by. Romance is in the air! And arrows.
From the back-to-basics studio that put out I Am Setsuna and Lost Sphear comes Oninaki, an action RPG that looks like a good well-crafted bit of fun, if not particularly original.
Dragon Quest 11 S — an enhanced version of the original hit — and DQ Builders 2 are on their way to Switch later this year, in Fall and July respectively.
Rune Factory 4 Special is another enhanced, remastered classic in a series that I adore (though I wish they’d remaster Frontier). It was also announced that RF5 is in development, so thank God for that.
Final Fantasy VII is coming at the end of March, and Final Fantasy IX is available now. I’m ashamed to say I never played the latter but this is a great opportunity to.
Sidescrollers new and old:
BOXBOY! + BOXGIRL! is a new entry in a well-like puzzle platformer series that introduces some new characters and multiplayer. Coming in April.
Bloodstained: Ritual of the Night got a teaser, but we’ve heard a lot about this Castlevania spiritual sequel already. Just come out!
Yoshi’s Crafted World comes out March 29, but there’s a demo available today.
Captain Toad: Treasure Tracker gets an update adding multiplayer to its intricate levels, and soon, a paid pack for new ones. I might wait for a combined version but this should be fun.
Miscellaneous but still interesting:
The new Marvel Ultimate Alliance is coming this summer and I can’t wait. The second one was a blast but it came out way too long ago. A good co-op brawler is a natural fit for the Switch, plus being a superhero is fun.
Daemon X Machina, the striking-looking mech combat game, is getting a demo ahead of the summer release. They’re going to incorporate changes and advice from players so if you want to help shape the game, get to it.
Disney Tsum Tsum Festival… I don’t know what this is. But it looks wild.
Deltarune! It’s the sequel-ish to the beloved Undertale, and you can get the first chapter on Switch now. Play Undertale first, or you won’t get the dog jokes.
There were a few more little items here and there, but that’s the gist. Boy am I glad I have a Switch!
You can watch the full Direct here.
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Listen, everyone. It’s not every day that a new fact comes to light regarding a game that came out more than 30 years ago. And I happen to love it when retro games get broken in fabulous and entertaining ways. So the news that The Legend of Zelda for NES has a minus world like Super Mario Bros. and others hit me like a freight train.
The phenomenon was discovered by YouTuber SKELUX, who starts off his video with a quick explanation of how minus worlds work. If you think about an NES game as a big file, there are places where graphics are stored, sounds and music are described and, of course, level layouts and enemy logic are kept.
As a player, you are expected to navigate the structured parts of this file, namely the game world — level 1, 2, 3, this or that dungeon or town, etc. But there are ways to escape that structure by exploiting flaws in the game’s code, letting you run free in portions of the game’s data that aren’t meant to be “real” levels — yet the game’s engine will interpret the data as best it can, producing in some cases pretty wacky but still navigable levels. This type of thing gets its name from Super Mario Bros., where you could easily warp to a buggy level “-1” and progress from there.
Zelda and other games often use data trickery to get around the natural limitations of 8-bit computing and severely restricted storage space. For instance, did you know that in order to store them more efficiently, Zelda’s dungeons all fit together like giant tiles?
I just about lost my mind when I found out about that. Note that the above is two 16×8 grids set one on top of the other.
As SKELUX explains, the overhead map is similarly divided, except the bottom “half” isn’t actually filled with map data. And although there are cheats that let you walk through walls, the game’s code detects when you reach an invalid map coordinate and returns you to the starting location. But a little hackery takes that safety measure out of play and the result:
And a horribly buggy one, as it turns out right from the start. Octoroks are shooting boomerangs out of their snouts; the old man on one screen tells you it’s dangerous to go alone, then next door says “leave your life of money”; a Molblin caterpillar shoots fireballs at you; glitchy inverted witch women swarm the statues of Death mountain; and so on.
It’s a strange, hilarious world, and one that obviously was not crafted but is simply created on the fly by the game’s engine attempting to make sense of the data it’s reading. It isn’t canon.
This type of video game archaeology is endlessly fascinating to me, because it demonstrates both the fragility and the robustness of these venerable pieces of software — and, of course, the enduring love and interest they engender in fans. Another one that recently absorbed my attention was the explanation of parallel dimensions inside Super Mario 64 and how sliding between them lets you beat a level with only half a press of the jump button.
That’s all. Please return to your ordinary lives, which likely seem just a bit more ordinary now that you know one more magical secret of the Legend of Zelda.
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Nintendo has set a strange new precedent with the release of Legend of Zelda SP on the Switch: it’s essentially the original NES game but with Link starts loaded up with good gear and cash. In a way it’s no different from a cheat code, but the way it’s executed feels like a missed opportunity.
The game itself (SP stands for “special”) is described by Nintendo in the menu as a “souped up version” of the original: “Living the life of luxury!” It’s a separate entry in the menu with all the other NES games you get as part of the company’s subscription service.
You’re given the white sword, big shield, blue ring and power bracelet, plus 255 rupees to replace that shield when a Like-like eats it. Basically they’ve given you all the stuff you can find on the overworld (including max bombs and keys), but no items you’d get from inside a dungeon. You also have six hearts, and traveling around a little bit I determined these were awarded by raiding nearby hidden areas, not simply assigned. Secret passages are already revealed, and so on.
Because it skips the title screen and save game selection it seems like someone must have essentially played through the game to this point (or more likely edited the values in game RAM) and then walked to the classic starting point and made a save state that automatically loads when you start or reset the game. This means the only way to save is to use the Switch’s built-in save states, not the rather inconvenient save method the game used.
It’s plain enough that this will be a less frustrating way to explore this famously difficult game, but it seems untrue to Zelda’s roots. I understand perhaps gifting the player some of the impossible to find things like a heart hidden inside a random block here or there. Getting some bombs to start is great too, and maybe even the rings (warping is helpful, and the game is pretty punishing, so damage reduction is nice). But the white sword?
For one thing, a player experiencing the game this way misses out on one of the most iconic moments in all gaming — “It’s dangerous to go alone. Take this!” Then the ritual lifting of the wooden sword. And then setting out into the world to die again and again.
And for me, the white sword was always sort of a rite of passage in the game — your first big step toward becoming powerful. You earned it by finding those extra heart containers, perhaps after asking in vain after it before you were ready. Once you have it, you’re cutting through enemies like butter.
To make it the default sword and to skip these steps seems like it causes the player to miss out on what makes Zelda Zelda.
To be fair, it’s not the only version of the game you can play — the original is available, too. But it seems like a missed opportunity. Why not just have a save game you can load with this stuff, so you can continue playing as normal? Why not have the option baked into the launch of the original Zelda — have a couple secret save states ready with differing levels of items?
Nintendo has the opportunity to introduce a new generation to classic NES games here, having provided a rather bare-bones experience with the NES Classic Edition. Why not enhance them? Include the manual, god mode, developer commentary? This is the legacy the company has been stewarding for decades, and what better than to give it the respect it deserves?
I’m probably overthinking it. But this Zelda SP just seems like a rushed job when players would appreciate something like it, just not so heavy-handed. It’s not that these games are inviolable, but that if they’re going to be fiddled with, we’d like to see it done properly.
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The Game Awards, an event that’s exactly what it sounds like, took place shortly ago and, like any gaming event, it was shot through with trailers and announcements. What’s the biggest announcement, you ask? It’s probably a tie between the sudden release of a new expansion for Zelda: Breath of the Wild and a teaser for the next project from From, the creators of Dark Souls… Read More
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Nintendo shared on its YouTube channel three behind-the-scenes videos about Zelda: Breath of the Wild. Many thought the Nintendo Switch had a pretty thin launch lineup with Zelda: Breath of the Wild as the only big production. But anybody around you who owns a Switch will tell you that it’s an amazing game. Read More
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The newest Zelda game, Breath of the Wild, is — and I say this without any attempt at being hyperbolic — an instant masterpiece. I won’t go so far as to call it the best game of all time — but if such a title can exist objectively, this one is certainly in the ring. It’s rare to see something like this thrust into the world and have it so quickly and widely… Read More
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In the hype period for The Legend of Zelda: Breath of the Wild, the game’s creators compared it to the original NES classic. I chalked this up to the usual pre-release silliness; how could a brand-new game be anything like something released in 1986? It turns out I’d underestimated both Nintendo’s candor (understandable) and the timelessness of the first Zelda’s design. Read More
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