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Google adds a universal watchlist for movies and TV to Google Search

Google is adding a new feature to Search that will help you keep track of all the TV shows and movies you want to watch during these long weeks at home. The company had already been offering personalized TV and movie recommendations in Search, as of an update released last fall. Building out a watchlist with your top picks is the obvious next step.

To get started, mobile users can first search “what to watch” to get Google’s suggestions. They are organized at the top of the search results, and can be filtered by type (show or movie), by whether the content is free, by category (comedy, action, documentary, sitcom, kid-friendly, etc.) and by provider. Google also offers a rating experience where you train its algorithms on what sort of content you like and dislike.

For any movie or show you want to then add to your list, you just tap “Watchlist” in the preview window. You can also tap “Watched” if it’s something you’ve already seen.

The new Watchlist is available as a second tab at the top of this What to watch section, and can be accessed any time you’re searching for something to buy, rent or stream. You can also search for “my watchlist” on Google or tap on “Collections” from within the Google app to access your list more quickly.

At launch, Google had said the TV and movies feature was designed to further the company’s larger goal of helping connect people with the information they need — it was not offering the data to advertisers. But by placing a regularly used feature like this within Google, users will spend more time on Google’s platform, which helps Google’s business.

While Google’s version of the watchlist concept is handy for more casual users, a number of dedicated mobile apps offer an expanded experience and, at times, more accurate and more granular recommendations. For example, TV Time not just makes recommendations, but also lets you check off which episodes you’ve watched from a series and participate in a mobile forum of sorts with other fans. Reelgood, Watchworthy, Taste, Bingeworthy, Likewise, itcher, Hai and many other apps also offer show and movie suggestions to varying degrees of success.

Reelgood even recently launched a feature called Reelgood Remote, which will instantly play the content you choose on your Roku device.

Google’s new Watchlist feature was one of several additions rolling out today focused on entertainment.

On Android TV devices, it also added three new home screen rows from YouTube, including COVID-19 News, Stay Home #WithMe and free movies from YouTube. Android TV also gained more collections from Google Play, while streaming apps are now organized under a row titled “Stream the shows and movies you love.”

Plus, on Google Play, the company has recently introduced a collection of special deals, including offers on apps for movies, TV and comics, among other things. There are offers for game streaming service Google Stadia and subscription service Google Play Pass, as well.

The Google Watchlist feature is live now on mobile devices.

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Watchworthy’s personalized TV recommendation app will help you find your next binge

Ranker, an online publisher that turns crowdsourced lists and fan rankings into a data business, is now turning its attention to the world of streaming services. The company this week launched a new app, Watchworthy, that helps you find something new to watch across TV networks and more than 200 streaming services like Netflix, Hulu, Prime Video, Apple TV+ and many more.

Ranker, as you may already know, is the website that always pops up in search results when you’re looking for some sort of “best of” round-up — whether that’s in entertainment, music, sports, culture, history or across other topics. On the site, online visitors can vote on their favorites in categories as broad as the “best hip-hop artists” or as niche as the “best coconut oil brands.”

Ranker’s TV lists are among its more popular categories and one that makes the most sense for turning into an app. And right now, everyone is looking for something new to watch as we’re stuck indoors due to the COVID-19 health crisis.

While there are already a number of apps promising to offer TV recommendations — like Reelgood, TV Time, Yidio and JustWatch, for example — Watchworthy’s advantage is Ranker’s data powering its recommendations. Its machine learning platform applies first-party correlation data it has amassed over a decade from one billion votes on Ranker.com. As the company explains, this makes its data more “statistically relevant.”

For example, its data indicates that “Better Call Saul” fans tend to like other gritty, dark dramas like “House of Cards,” “Ray Donovan” and “True Detective,” but also more cerebral comedies like “Nathan for You” and “High Maintenance.”

To figure out what sort of TV programs interest you, Watchworthy at first launch jumps you into a rating experience to provide it with your data. In 60 seconds, you fly through a ratings feature that uses a Tinder-like interface, where a right swipe is a “like” and a left swipe is a “dislike” (and up is “not sure”). After you thumbs up and down a selection of shows, you can begin to browse your recommendations.

In my test, this initial set of recommendations was already above average compared with some of the other apps I’ve tried. Your mileage may vary, of course, as it’s a highly personalized experience. Watchworthy may not have offered dozens of precise matches to my tastes at first, but it did remind me of several shows I had seen in passing and thought at some point I might like to try, as well as a few new discoveries.

Its suggestions are ranked by a “worthy” score that indicates the likelihood that the show is worthy of your time. You can also filter the list of recommendations by service, genre, run time and MPAA ratings.

The app got a little better after spending a little more time to like and dislike more shows and to personalize it as to which streaming services I was using. This allowed me to integrate recommendations from more sources — like HBO, Apple TV+, Disney+, Showtime and others.

However, I did get to the point where liking and disliking didn’t refine my recommendations further, so there is a limit to what Watchworthy can do. I also found the app to be a little lacking on the reality and nonfiction side of things. It tended to push recommendations of scripted shows, despite my having “liked” shows such as “The Great British Bake Off,” “Windy City Rehab” and “Queer Eye,” among others.

As you find shows you like in the app’s recommendations, you can add them to the universal watchlist in the app for easy access.

You can also create an account to save your data. Watchworthy at launch supports Apple’s private sign-in option, as well as Google, Facebook and email.

The homepage of the app also integrates Ranker’s existing TV lists. The website has more than 50,000 of these, but the app isn’t an endless scroll. Instead, it updates the home page with relevant, timely content. For example, today’s lists include “Shows For Self Quarantine,” “Shows To Distract You,” “Funniest Shows On Netflix,” “Best Family Shows On Amazon Prime” and other round-ups.

The new app serves not only as a discovery tool for TV viewers, cord-cutters and binge-watchers, but also as fuel for Ranker’s data collection business. Ranker licenses its data and insights to third-parties, like marketers, advertisers, researchers, developers and service providers. However, its data isn’t focused on demographics so much as it is on “psychographics” — meaning, your tastes. Ranker isn’t asking you for private information, only what you like.

In a way, Watchworthy serves as a demo app of what can be done with Ranker’s psychographic insights, in this case, for TV viewers. But the same sort of system could be built for other categories, like music, cooking, film, travel and more.

The company says this year it will also make its Watchworthy app available to connected devices, like Roku, Apple TV and Amazon Fire TV. It also plans to add movie recommendations and shared watchlists.

Watchworthy is a free download on iOS with Android to come. On any mobile device, it works from watchworthy.app.

 

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Conan O’Brien will return to TV with shows shot on iPhone and over video chat

Apple’s promise of high-quality videoshot on iPhone” is getting another real-world stress test, as late-night TV host Conan O’Brien announced on Wednesday he will return to doing full shows that will be shot using Apple’s mobile device. On Monday, March 30, new episodes of O’Brien’s show “Conan” will air on TBS, with production staff working from home, video that’s shot on iPhone and interviews filmed over video chat.

The news was first reported by Variety and confirmed by O’Brien in the form of a tweet, where he jokes the experience “will not be pretty.”

I am going back on the air Monday, March 30th. All my staff will work from home, I will shoot at home using an iPhone, and my guests will Skype. This will not be pretty, but feel free to laugh at our attempt. Stay safe.

— Conan O’Brien (@ConanOBrien) March 19, 2020

The move to shoot shows remotely is an interesting attempt at restarting daily TV production at a time when everyone’s been ordered to work from home.

Typically, late-night shows are put on with a sizable crew of writers and producers and filmed in front of a live audience. With the CDC advising people to stay at home and gather in groups of no more than 10 due to the threat of the coronavirus outbreak, TV production industry-wide is being shut down.

Until now, that also included all major late-night productions, like Stephen Colbert, Jimmy Fallon, Jimmy Kimmel and James Corden .

O’Brien’s team consists of 75 people and, like others, it went on hiatus in order to protect staff safety. But during the shut down, O’Brien continued to film short videos, which led the team to this idea of doing a full show, but in a different format.

“Conan” isn’t the only show trying to work around the shutdown. Jimmy Fallon has been filming YouTube videos that are incorporated into the evening’s rerun of the “Tonight Show.” Colbert has been filming a new monologue for “The Late Show” reruns. And Kimmel has been sharing his own “#minilogue” on social media.

However, “Conan” is promising full episodes, not just new segments.

“The quality of my work will not go down because technically that’s not possible,” O’Brien said in a statement shared by Variety.

Image credit: Kevin Mazur/Getty Images for WarnerMedia

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CBS News is bringing a 60 Minutes-inspired news show to streaming service Quibi

Jeffrey Katzenberg’s streaming service Quibi, due to launch in April, has partnered with CBS News to modernize “60 Minutes”-style programming for the era of bite-sized video. Instead of an hour-long newsmagazine, CBS News will launch “60 in 6,” which will condense original news stories into six-minute episodes, designed for consumption on mobile devices.

The deal will see 60 Minutes producing one original story per week, as part of Quibi’s licensing agreement.

“This is a perfect opportunity to bring 60 Minutes’ style of storytelling, in-depth reporting, and investigative journalism to a new audience,” said 60 Minutes executive producer Bill Owens, in a statement. “We are excited to launch ’60 In 6,’ as our digital footprint is more important than ever,” he said.

CBS isn’t the first news partner coming to the upcoming streaming service. NBC will build out a full production team exclusively for its Quibi programming, which will include a six-minute morning and evening news show for the service. The BBC and Quibi, meanwhile, are developing an international news show for millennials that’s five minutes in length. And ESPN just agreed to do a sports highlights and news show.

“60 Minutes has been, is, and will continue to be the gold standard of storytelling news journalism,” added Jeffrey Katzenberg, Quibi founder and chairman of the board, in a statement. “Bringing their talent and resources to a new form of storytelling could not be more exciting for us at Quibi,” he said.

News programming is only one aspect to Quibi, which will also include a variety of entertainment offerings from big-name talent, like Sam Raimi, Guillermo del Toro, Antoine Fuqua and producer Jason Blum, among others. Quibi also will feature a show about Snapchat’s founding, an action-thriller starring Liam Hemsworth, a murder mystery comedy from SNL’s Lorne Michaels, a beauty docuseries from Tyra Banks, a Steven Spielberg horror show, a comedy from Thomas Lennon, a car-stunt series with Idris Elba, a comedy series from Trevor Noah, a drama with Queen Latifah, a thriller with Sophie Turner and more.

Quibi’s premise is taking premium content and chopping it up into “quick bites” (hence the name), and delivering it to mobile viewers in both horizontal and vertical formats. The idea, essentially, is to build a Netflix for the Snapchat generation. This is a risky endeavor, given that the targeted demographic — Gen’s Y and Z — is quite happy with their Netflix subscriptions for higher-production value entertainment, and with YouTube for more casual video viewing from the creator community.

Quibi also seems to ignore the fact that most subscription-based video is still watched on TVs, not mobile devices. Meanwhile, on users’ phones, Quibi will have to compete with a range of other apps and games — including the new titles from Apple Arcade — as well as other time fillers, like YouTube, Instagram, TikTok and Snapchat.

That said, having Katzenberg at the helm has brought a lot of industry support to Quibi. The company has raised $1 billion from Disney, WarnerMedia, 21st Century Fox and others, and was looking to raise more. It also said this summer it had booked $100 million in ad sales pre-launch.

Quibi will launch in April 2020, and “60 in 6” will be available at that time. The service will cost $5 per month, or $8 to go ad-free.

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Google’s new feature will help you find something to watch

Google Search can now help you find your next binge. The company this morning announced a new feature that will make personalized recommendations of what to watch, including both TV shows and movies, and point you to services where the content is available.

The feature is an expansion of Google’s existing efforts in pointing web searchers to informative content about TV shows and films.

Already, a Google search for a TV show or movie title will include a “Knowledge Panel” box at the the top of the search results where you can read the overview, see the ratings and reviews, check out the cast and, as of spring 2017, find services where the show or movie can be streamed or purchased.

The new recommendations feature will instead appear to searchers who don’t have a particular title in mind, but are rather typing in queries like “what to watch” or “good shows to watch,” for example. From here, you can tap a Start button in the “Top picks for you” carousel to rate your favorite TV shows and movies in order to help Google better understand your tastes.

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You also can select which subscriptions you have access to, in order to customize your recommendations further. This includes subscription services like Netflix, Hulu, HBO GO and HBO NOW, Prime Video, Showtime, Showtime Anytime, CBS All Access and Starz.

You also can indicate if you have a cable TV or satellite subscription. And it will list shows and movies available for rent, purchase or free streaming from online marketplaces like iTunes, Prime Video, Google Play Movies & TV and Vudu, plus network apps like ABC, Freeform, Lifetime, CBS, Comedy Central, A&E and History.

To get started, you’ll use a Tinder-like swiping mechanism to rate titles. Right swipes indicate a “like” and left swipes indicate a “dislike.” You can “skip” titles you don’t know or have an opinion on.

After giving Google some starter data about your interests, future searches for things to watch will offer recommendations tailored to you.

The company tells TechCrunch this information is only being used for the purpose of recommendations — it’s not being offered to advertisers. Instead, it’s about Google’s larger goal in helping people find the information they need.

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The company notes that you can even get specific with your requests, by asking for things like “horror movies from the 80s” or “adventure documentaries about climbing.” (This will help, too, when you can’t remember a movie’s title but do know what it’s about.)

Google’s search results will return a list of suggestions, and when you pick one you want to watch, the service will — as before — let you know where it’s available.

The company already has a good understanding of consumer interest in movies and TV thanks to its data on popular searches. Now it aims to have a good understanding of what individual users may want to watch, as well.

The new recommendations feature is live today on mobile for users in the U.S.

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AT&T’s CEO of Communications, John Donovan, to retire in October

John Donovan, CEO of AT&T Communications, announced today his plans to retire effective October 1, 2019. Donovan has for the past two years led AT&T’s largest business unit, which services 100 million mobile, broadband and pay-TV customers in the U.S., as well as millions of business customers, including nearly all the Fortune 1000.

The news comes amid several big changes in that business unit itself, and more in the broader telecom industry.

For starters, AT&T had just rebranded its over-the-top streaming service DIRECTV NOW to AT&T TV NOW, and  just last week rolled out a brand-new TV service, AT&T TV, in 10 test markets.

While DIRECTV NOW (aka AT&T TV NOW) is meant to compete with other over-the-top streaming services like Dish’s Sling TV, Hulu with Live TV, YouTube TV and others, the new AT&T TV is a more conventional — though still “over-the-top” — option that can work with any broadband connection.

However, it locks in customers to two-year contracts, requires a set-top box and has packages that range from $60-$80 per month, much like a traditional TV subscription.

Elsewhere at AT&T, its WarnerMedia division is working a streaming service of its own, HBO Max, which is meant to battle more directly with premium offerings, like Disney+ or Apple TV+, for example. AT&T also operates a low-cost streaming service, Watch TV.

And the company continues to offer pay-TV offerings like DIRECTV (satellite service) and U-verse (cable).

It seems AT&T is due to consolidate these efforts at some point, and Donovan’s departure could signal some changes on that front, perhaps. Plus, as The WSJ reported, Donovan and WarnerMedia head John Stankey had a strained relationship at times. That could because HBO Max will end up competing with other AT&T offerings and services, the report suggested.

In addition to its various streaming ambitions, AT&T is also starting to roll out 5G, a move Donovan spearheaded. The company is also preparing for competition from new players, including what arises from a T-Mobile/Sprint merger, and from Dish’s plans to enter the wireless market.

Donovan had been CEO of AT&T Communications for two years, after having joined the company as CTO in 2008. Prior to his CEO role starting in July 2017, he had been promoted to AT&T’s chief strategy officer and group president — AT&T Technology and Operations.

He previously worked at Verisign, Deloitte Consulting and InCode Telecom Group.

Donovan, 58, was nearing the company’s retirement age of 60, but his departure was still unexpected, The WSJ also said.

“It’s been my honor to lead AT&T Communications during a period of unprecedented innovation and investment in new technology that is revolutionizing how people connect with their worlds,” said John Donovan, in a statement. “All that we’ve accomplished is a credit to the talented women and men of AT&T, and their passion for serving our customers. I’m looking forward to the future – spending more time with my family and watching with pride as the AT&T team continues to set the pace for the industry.”

“JD is a terrific leader and a tech visionary who helped drive AT&T’s leadership in connecting customers, from our 5G, fiber and FirstNet buildouts, to new products and platforms, to setting the global standard for software-defined networks,” added Randall Stephenson, AT&T’s chairman and CEO. “He led the way in encouraging his team to continuously innovate and develop their skill sets for the future. We greatly appreciate his many contributions to our company’s success and his untiring dedication to serving customers and making our communities better. JD is a good friend, and I wish him and his family all the best in the years ahead.”

Disclosure: TechCrunch is owned by Verizon by way of Verizon Media Services. This does not influence our reporting. 

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Talking the future of media with Northzone’s Pär-Jörgen Pärson

We live in the subscription streaming era of media. Across film, TV, music, and audiobooks, subscription streaming platforms now shape the market. Gaming and podcasting could be next. Where are the startup opportunities in this shift, and in the next shift that will occur?

I sat down with Pär-Jörgen “PJ” Pärson, a partner at European venture firm Northzone, to discuss this at SLUSH this past winter. Pärson – a Swede who now runs Northzone’s office in NYC – led the top early-stage investor in Spotify and led the $35 million Series C in $45/month sports streaming service fuboTV (which has roughly 250,000 subscribers).

In the transcript below, we dive into the core investment thesis that has guided him for 20 years, how he went from running a fish distribution to running a VC firm, his best practices for effective board meetings and VC-entrepreneur relationships, and his assessment of the big social platforms, AR/VR, voice interfaces, blockchain, and the frontier of media. It has been edited for length and clarity.

From Fish to VC

Eric Peckham:

Northzone isn’t your first VC firm — Back in 1998, you created Cell Ventures, which was more of a holding company or studio model. What was your playbook then?

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T-Mobile’s mobile TV service to include Viacom channels like MTV, Nickelodeon, Comedy Central & more

T-Mobile and Viacom this morning announced a deal that will bring Viacom’s TV channels — like MTV, Nickelodeon, Comedy Central, BET, Paramount and others — to T-Mobile’s new mobile video service planned for later this year. The agreement will allow T-Mobile to offer live, linear feeds of the Viacom channels as well as on-demand viewing.

To date, the carrier’s mobile video plans have been murky. Last year, T-Mobile acquired the Denver-based startup Layer3 TV in order to launch a new over-the-top video service in 2018. It missed that window, saying that it needed more time to work on features and make “quality improvements.”

The company later said that it didn’t want to offer another Amazon Channels-like “skinny bundle” consisting of individual subscriptions to various channels, but wanted to offer something more differentiated where customers could create their own media subscriptions in “smaller pieces,” like “five, six, seven or eight dollars at a time.”

Today, T-Mobile says it still plans to move forward with both its home and mobile TV offerings, made possible by the acquisition of Layer3 TV. The in-home TV service is designed to leverage 5G technology to replace cable. Meanwhile, Viacom will be a “cornerstone launch partner” for T-Mobile’s mobile TV efforts, on track for a launch this year.

“Viacom represents the best of the best, most-popular brands on cable, so they are an amazing partner for us,” said John Legere, CEO of T-Mobile, in a statement. “TV programming has never been better, but consumers are fed up with rising costs, hidden fees, lousy customer service, non-stop BS. And MacGyvering together a bunch of subscriptions, apps and dongles isn’t much better. That’s why T-Mobile is on a mission to give consumers a better way to watch what they want, when they want,” he said.

Not much is known about T-Mobile’s mobile TV plans at this point, like a more specific launch time frame or price points. It’s also unclear if T-Mobile will go the route of bundling in its TV service with its mobile plans. That’s been a popular strategy for AT&T, which today operates two over-the-top services — a low-end service called WatchTV designed for bundling and its more premium service DirecTV Now. (It also plans to launch another featuring Warner Bros. content.)

Viacom has deals with other carriers besides T-Mobile, having recently renewed its contract with AT&T for DirecTV Now carriage. It also participates in various other streaming services, including its own service (by way of acquisition) Pluto TV, and has invested in Philo.

“Today’s landmark announcement marks a major step forward in our strategy to accelerate the presence of our brands on mobile and other next-generation platforms,” said Bob Bakish, Viacom president and CEO, in a release. “We’re so excited to partner with T-Mobile to provide millions of subscribers with access to our networks and more choice in a new service that will be unlike any other in the market.”

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Wattpad’s latest deal will turn its stories into TV shows and movies in Korea

Wattpad’s ambitions to grow beyond a storytelling community for young adults took another leap forward today with the announcement of a new partnership that will help expand its reach in Asia. The company has teamed up with Huayi Brothers in Korea, which will now be Wattpad’s exclusive entertainment partner in the region. The two companies will co-produce content sourced from Wattpad’s community as it’s adapted for film, TV and other digital media projects in the country.

Development deals like this are not new to Wattpad at this point.

In the U.S., the storytelling app made headlines for bringing to Netflix the teen hit “The Kissing Booth,” which shot up to become the No. 4 movie on IMDb for a time.

Wattpad also recently announced a second season for “Light as a Feather,” which it produces with AwesomenessTV and Grammnet for Hulu.

It additionally works with eOne, Sony, SYFY, Universal Cable Productions (a division of NBCUniversal) and Germany’s Bavaria Fiction.

Outside the U.S., Wattpad has 26 films in development with iflix in Indonesia.

And WattPad’s feature film “After,” based on Anna Todd’s novel, will arrive in theaters on April 12.

Key to these deals is Wattpad’s ability to source the best content from the 565 million stories on its platform. Do to so, it uses something it calls its “Story DNA Machine Learning technology,” which helps to deconstruct stories by analyzing things like sentence structure, word use, grammar and more in order to help identify the next big hits using more than just readership numbers alone.

The stories it identifies as promising are then sent over to content specialists (aka human editors) for further review.

This same combination of tech and human curation has been used in the past to help source its writing award winners and is now being used to find the next stories to be turned into novels for its new U.S. publishing arm, Wattpad Books.

In addition to its hit-finding technology, studios working with Wattpad also have a way to reach younger users who today are often out of touch with traditional media, as much of youth culture has shifted online.

These days, teens and young adults are more likely to know YouTube stars than Hollywood actors. They’re consuming content online in communities like Reddit, TikTok, Instagram, YouTube, Twitter and elsewhere. And when it comes to reading, they’re doing more of that online, too — whether that’s through chat fiction apps like Hooked or by reading Wattpad’s longer stories.

Wattpad says it now has 70 million users worldwide, who now spend 22 billion combined minutes per month engaged with its website and app.

With the Korean deal, Wattpad is further growing its international footprint after several other moves focused on its international expansions.

For example, today’s news follows Wattpad’s raise of $51 million in funding from Tencent; its appointment of its first Head of Asia for Wattpad Studios, Dexter Ong, last year; and its hiring of its first GM of India, Devashish Sharma, who is working with local partners to turn its stories into movies, TV, digital and print in the region.

Huayi Brothers Korea hasn’t announced any specific projects from the Wattpad deal at this point, but those will follow.

“Wattpad’s model is the future of entertainment, using technology to find great storytellers and bring them to an international audience,” said, Jay Ji, CEO, Huayi Brothers Korea, in a statement. “In an era of entertainment abundance, working with Wattpad means access to the most important things in the industry: a data-backed approach to development, and powerful, proven stories that audiences have already fall in love with,” he said.

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Netflix launches ‘smart downloads’ feature on iOS to automate offline viewing

Netflix today is launching a new feature on iOS devices that will help make it easier to watch its shows when you’re offline. The “smart downloads” feature, as it’s called, will automatically delete a downloaded episode after you’ve finished watching, then download the next one — but only when you’re connected to Wi-Fi.

The idea is that users will no longer have to go through the tedious work of managing their downloads — deleting those they’ve watched or downloading new titles, for example. Instead, the app can manage the downloads for you, so people can spend more time watching Netflix shows.

Smart downloads make sense for those who plan for intermittent connectivity — like commuters who take underground trains, for instance, or those who travel through dead spots where wireless coverage drops. It also makes sense for those on limited data plans, who are careful about not using streaming video apps unless they’re on Wi-Fi.

Offline features like this are key to attracting and retaining users in emerging markets where connectivity concerns are the norm. That’s likely why Netflix prioritized Android over iOS, for the initial launch of smart downloads.

The feature had first arrived on Android last summer. It’s now offered across platforms, including iOS and in the Windows 10 Netflix app, the company says.

Offline access is only one area where Netflix is focusing on the needs of those in developing markets. The company late last year also began testing a more affordable, mobile-only subscription.

Non-U.S. users accounted for 7.31 million of the 8.8 million new subscribers Netflix added in the last quarter, as the U.S. market has become more saturated.

To use smart downloads on iOS, you can toggle the option in the Netflix app settings. It then turns itself on when you’re connected to Wi-Fi, to ensure your data plan won’t be used and your device storage won’t fill up as you watch offline. The feature will alert you when the episode in question has been downloaded.

“The faster our members can get to the next episode of their favorite stories, the better. Now, fans on the Netflix iOS app can get in on the fun and convenience of Smart Downloads, spending less time managing their downloads and more time watching,” said a Netflix spokesperson in a statement about the launch. “The feature is one more way we’re making it easier for Netflix fans to take the stories they love wherever they go,” they added.

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