Policy
Auto Added by WPeMatico
Auto Added by WPeMatico
What if politicians could only display Twitter replies from their supporters while stopping everyone else from adding their analysis to the conversation? That’s the risk of Twitter’s upcoming Conversation Participants tool it’s about to start testing that lets you choose if you want replies from everyone, only those your follow or mention or no one.
For most, the reply limiter could help repel trolls and harassment. Unfortunately, it still puts the burden of safety on the victims rather than the villains. Instead of routing out abusers, Twitter wants us to retreat and wall off our tweets from everyone we don’t know. That could reduce the spontaneous yet civil reply chains between strangers that are part of what makes Twitter so powerful.
But in the hands of politicians hoping to avoid scrutiny, the tools could make it appear that their tweets and policies are uniformly supported. By only allowing their sycophants to add replies below their posts, anyone reading along will be exposed to a uniformity of opinion that clashes with Twitter’s position as a marketplace of ideas.
We’ve reached out to Twitter for comment on this issue and whether anyone such as politicians would be prevented from using the new reply-limiting tools. Twitter plans to test the reply-selection tool in Q1, monitor usage, and make modifications if necessary before rolling it out. The company provided this statement:
“We want to help people feel safe participating in the conversation on Twitter by giving them more control over the conversations they start. We’ll be experimenting with different options for who can reply to Tweets in early 2020.”

Here’s how the new Conversation Participants feature works, according to the preview shared by Twitter’s Suzanne Xie at CES today, though it could change during testing. When users go to tweet, they’ll have the option of selecting who can reply, unlike now when everyone can leave replies but authors can hide certain ones that viewers can opt to reveal. Conversation Participants offers four options:
–Global: Replies from anyone
–Group: Replies from those you follow or mention in this tweet
–Panel: Replies from only those you mention in this tweet
–Statement: No replies allowed
Now imagine President Trump opts to make all of his tweets Group-only. Only those who support him and he therefore follows — like his sons, Fox News’ Sean Hannity and his campaign team — could reply. Gone would be the reels of critics fact-checking his statements or arguing against his policies. His tweets would be safeguarded from reproach, establishing an echo chamber filter bubble for his acolytes.
It’s true that some of these responses from the public might constitute abuse or harassment. But those should be dealt with specifically through strong policy and consistent enforcement of adequate punishments when rules are broken. By instead focusing on stopping replies from huge swaths of the community, the secondary effects have the potential to prop up politicians that consistently lie and undam the flow of misinformation.
There’s also the practical matter that this won’t stop abuse, it will merely move it. Civil discussion will be harder to find for the rest of the public, but harassers will still reach their targets. Users blocked from replying to specific tweets can just tweet directly at the author. They can also continue to mention the author separately or screenshot their tweets and then discuss them.
It’s possible that U.S. law prevents politicians discriminating against citizens with different viewpoints by restricting their access to the politician’s comments on a public forum. Judges ruled this makes it illegal for Trump to block people on social media. But with this new tool, because anyone could still see the tweets, reply to the author separately and not be followed by the author likely doesn’t count as discrimination like blocking does, use of the Conversation Participants tool could be permissible. Someone could sue to push the issue to the courts, though, and judges might be wise to deem this unconstitutional.
Again, this is why Twitter needs to refocus on cleaning up its community rather than only letting people build tiny, temporary shelters from the abuse. It could consider blocking replies and mentions from brand new accounts without sufficient engagement or a linked phone number, as I suggested in 2017. It could also create a new mid-point punishment of a “time-out” from sending replies for harassment that it (sometimes questionably) deems below the threshold of an account suspension.
The combination of Twitter’s decade of weakness in the face of trolls with a new political landscape of normalized misinformation threaten to overwhelm its attempts to get a handle on safety.
Powered by WPeMatico
As we start 2020, the media and entertainment sectors are in flux. New technologies are enabling new types of content, streaming platforms in multiple content categories are spending billions in their fight for market share and the interplay between social platforms and media is a central topic of global political debate (to put it lightly).
As TechCrunch’s media columnist, I spoke to hundreds of entrepreneurs and executives in North America and Europe last year about the shifts underway across everything from vertically-oriented video series to physics engines in games to music royalty payments. Looking toward the year ahead, here are some of the high-level changes I expect we will see in media in 2020, broken into seven categories: film & TV, gaming, visual & audio effects, social media, music, podcasts and publishing.
In film and television, the battle to compete with Netflix continues with more robust competition than last year. In the U.S., Disney is off to a momentous start with 10 million Disney+ subscribers upon its launch in November and some predicting it will hit 25 million by March (including those on free trials or receiving it for free via Disney’s partnership with Verizon). Bundled with its two other streaming properties, Hulu and ESPN+, Disney+ puts Disney alongside Amazon and Netflix as the Big Three.
Consumers will only pay for so many subscriptions, often one, two, or all of the Big Three (since Amazon Prime Video is included with the broader Prime membership) then a smaller service that best aligns with their personal taste and favorite show of the moment.
AT&T’s HBOMax launches in May with a $14.99/month price tag and is unlikely to break into the echelon of the Big Three, but could be a formidable second tier competitor. Alongside it will be Apple TV+. With a $4.99/month subscription, Apple’s service only includes a small number of original productions, an HBO strategy as HBO gets bundled into a larger library. CBS All Access, Showtime, and NBCUniversal’s upcoming (in April) Peacock fall in this camp as well.
Across Europe, regional media conglomerates will find success in expanding local SVOD and AVOD competitors to Netflix that launched last year — or are set to launch in the next few weeks — like BritBox in the UK, Joyn in Germany and Salto in France. Netflix’s growth is coming from outside the U.S. now so its priority is buying more international shows that will compel new demographics to subscribe.
The most interesting new development in 2020 though will be the April launch of Quibi, the $4.99/month service offering premium shows shot for mobile-first viewing that has already secured $1 billion in funding commitments and $150 million in advertising revenue. Quibi shows will be bite-size in length (less than 15 minutes) and vertically-oriented. The company has poured hundreds of millions of dollars into commissioning established names to create dozens of them. Steven Spielberg and Guillermo del Toro each have Quibi programs and NBC and CBS are creating news shows. The terms it is offering are enticing.
Quibi, which plans to release 125 pieces of content (i.e. episodes) per week and spend $470 million on marketing this year, is an all-or-nothing bet with little room to iterate if it doesn’t get it right the first time; it needs hit shows that break into mainstream pop culture to survive. Billionaire founders Jeffrey Katzenberg and Meg Whitman have set expectations sky-high for the launch; expect the press to slam it in April for failing to meet those expectations and for the platform to redeem itself as a few of its shows gain traction in the months that follow.
Meanwhile, live sports remains the last hope of broadcast TV networks as all other shows go to streaming. Consumers still value watching sports in real-time. Streaming services are coming for live sports too, however, and will make progress toward that goal in 2020. Three weeks ago, DAZN secured the rights to the 2021/22 season of Germany’s Champions League, beating out broadcaster Sky which has shown the matches for the last 20 years. Amazon and YouTube continue to explore bids for sports rights while Facebook and Twitter are stepping back from their efforts. YouTube’s “YouTube TV” and Disney’s “Hulu with Live TV” will cause more consumers to cancel cable TV subscriptions in 2020 and go streaming-only.
The winners in the film & TV sector right now are top production companies. The war for streaming video dominance is driving several of the world’s wealthiest companies (and individuals) to pour tens of billions of dollars into content. Large corporations own the distribution platforms here; the only “startups” to enter with strength — DAZN and Quibi — have been launched by billionaires and started with billion-dollar spending commitments. The entrepreneurial opportunity is on the content creation side — with producers creating shows not with software developers creating platforms.
The gaming market is predicted to grow nearly 9% year-over-year from $152 billion globally in 2019 to $165 billion in 2020, according to research firm Newzoo, with roughly 2.5 billion people playing games each year. Gaming is now widespread across all demographic groups. Casual mobile games are responsible for the largest portion of this (and 45% of industry revenue) but PC gaming continues to grow (+4% last year) and console gaming was the fastest growing category last year (+13%).
The big things to watch in gaming this year: cross-platform play, greater focus on social interaction in virtual worlds and the expansion of cloud gaming subscriptions.
Fortnite enticed consumers with the benefits of a cross-platform game that allows players to move between PC, mobile and console and it is setting expectations that other games do the same. Last October we saw the Call of Duty franchise come to mobile and reach a record 100 million downloads in its first week. This trend will continue and it will spread the free-to-play business model that is the norm in mobile games to many PC and console franchises in the process.
Gaming is moving to the social forefront. Many people are turning to massively multiplayer online games (MMOs) like Fortnite and PUBG to socialize, with gameplay as a secondary interest. Games are virtual worlds where players socialize, build things, and own assets much like in the real world. That results in an increasingly fluid interplay between socializing in games and in physical life, much as socializing in the virtual realms of social apps like Instagram or Twitter is now viewed as part of “real world” life.
Expect VCs to bet big on the thesis that “games are the new social networks” in 2020. Large investment firms that a year ago wrote off the category of gaming as “content bets” not fit for VC are now actively hunting for deals.
On this point, there are several startups (like Klang Games, Darewise Entertainment, Singularity 6 and Clockwork Labs) that raised millions in VC funding to create open world games that will launch (in beta at least) in 2020. These are virtual worlds where all players exist in the same instance of the world rather than being capped at 100 or so players per instance. Their vision of the future: digital realms where people will contribute to in-game economies, create friendships and ultimately earn income just like their “real-world” lives. Think next-gen Second Life. Expect them to take time to seed their worlds with early adopters in 2020 before any of them gain mainstream traction in 2021.
Few are as excited about social interaction in games as Facebook, it seems. Eager to own critical turf in the next paradigm shift of social media, Facebook will accelerate its gaming push this year. In late 2019, it acquired Madrid-based PlayGiga — which was working on cloud gaming and 5G technology — and the studio behind the hit VR game Beat Saber. It also secured exclusive rights to the VR versions of popular games like Ubisoft’s “Assassin’s Creed” and “Splinter Cell” for Oculus. Horizon, its virtual world for social interaction within VR, is expected to launch this year as well.
Facebook is betting on AR/VR as the paradigm shift in consumer computing that will replace mobile; it is pouring billions into its efforts to own the hardware and infrastructure pieces which are several years of R&D away from primetime. In the meantime, the consumer shift to social interaction in virtual worlds is occurring in established formats — mobile, PC, and console — so it will work to build the bridge for consumers from that to the future.
Lastly, cloud gaming was one of last year’s biggest headlines with the launch of Google Stadia and you should expect it to be again this year. By moving games to cloud hosting, consumers can play the highest quality games from lower quality devices, greatly expanding the market of potential players. By bundling many such games into a subscription offering, Google and others hope to entice consumers to try many more games.
As TechCrunch’s Lucas Matney argued, however, cloud gaming is likely a feature for existing subscription gaming platforms — namely Playstation Now and Xbox Game Pass — more so than the basis for a new platform to differentiate. The minor latency inherent in playing a cloud-hosted game makes it unattractive to hardcore gamers (who would rather download the game). Next to Sony and Microsoft’s offerings, Stadia’s limited game selection fails to stand out. The competition will only heat up this year with the expected entry of Amazon. Google needs to launch the Stadia integration with YouTube and the Share State feature that it promoted in its Stadia announcement to really drive consumer interest.
Powered by WPeMatico
TikTok parent company ByteDance has built technology to let you insert your face into videos starring someone else. TechCrunch has learned that ByteDance has developed an unreleased feature using life-like deepfakes technology that the app’s code refers to as Face Swap. Code in both TikTok and its Chinese sister app Douyin asks users to take a multi-angle biometric scan of their face, then choose from a selection of videos they want to add their face to and share.
With ByteDance’s new Face Swap feature, users scan themselves, pick a video and have their face overlaid on the body of someone in the clip
The deepfakes feature, if launched in Douyin and TikTok, could create a more controlled environment where face swapping technology plus a limited selection of source videos can be used for fun instead of spreading misinformation. It might also raise awareness of the technology so more people are aware that they shouldn’t believe everything they see online. But it’s also likely to heighten fears about what ByteDance could do with such sensitive biometric data — similar to what’s used to set up Face ID on iPhones.
Several other tech companies have recently tried to consumerize watered-down versions of deepfakes. The app Morphin lets you overlay a computerized rendering of your face on actors in GIFs. Snapchat offered a FaceSwap option for years that would switch the visages of two people in frame, or replace one on camera with one from your camera roll, and there are standalone apps that do that too, like Face Swap Live. Then last month, TechCrunch spotted Snapchat’s new Cameos for inserting a real selfie into video clips it provides, though the results aren’t meant to look confusingly realistic.
Most problematic has been Chinese deepfakes app Zao, which uses artificial intelligence to blend one person’s face into another’s body as they move and synchronize their expressions. Zao went viral in September despite privacy and security concerns about how users’ facial scans might be abused. Zao was previously blocked by China’s WeChat for presenting “security risks.” [Correction: While “Zao” is mentioned in the discovered code, it refers to the general concept rather than a partnership between ByteDance and Zao.]
But ByteDance could bring convincingly life-like deepfakes to TikTok and Douyin, two of the world’s most popular apps with over 1.5 billion downloads.
Zao in the Chinese iOS App Store
TechCrunch received a tip about the news from Israeli in-app market research startup Watchful.ai. The company had discovered code for the deepfakes feature in the latest version of TikTok and Douyin’s Android apps. Watchful.ai was able to activate the code in Douyin to generate screenshots of the feature, though it’s not currently available to the public.
First, users scan their face into TikTok. This also serves as an identity check to make sure you’re only submitting your own face so you can’t make unconsented deepfakes of anyone else using an existing photo or a single shot of their face. By asking you to blink, nod and open and close your mouth while in focus and proper lighting, Douyin can ensure you’re a live human and create a manipulable scan of your face that it can stretch and move to express different emotions or fill different scenes.

You’ll then be able to pick from videos ByteDance claims to have the rights to use, and it will replace with your own the face of whomever is in the clip. You can then share or download the deepfake video, though it will include an overlayed watermark the company claims will help distinguish the content as not being real. I received confidential access to videos made by Watchful using the feature, and the face swapping is quite seamless. The motion tracking, expressions and color blending all look very convincing.
Watchful also discovered unpublished updates to TikTok and Douyin’s terms of service that cover privacy and usage of the deepfakes feature. Inside the U.S. version of TikTok’s Android app, English text in the code explains the feature and some of its terms of use:
Your facial pattern will be used for this feature. Read the Drama Face Terms of Use and Privacy Policy for more details. Make sure you’ve read and agree to the Terms of Use and Privacy Policy before continuing. 1. To make this feature secure for everyone, real identity verification is required to make sure users themselves are using this feature with their own faces. For this reason, uploaded photos can’t be used; 2. Your facial pattern will only be used to generate face-change videos that are only visible to you before you post it. To better protect your personal information, identity verification is required if you use this feature later. 3. This feature complies with Internet Personal Information Protection Regulations for Minors. Underage users won’t be able to access this feature. 4. All video elements related to this feature provided by Douyin have acquired copyright authorization.
ZHEJIANG, CHINA – OCTOBER 18 2019 Two U.S. senators have sent a letter to the U.S. national intelligence agency saying TikTok could pose a threat to U.S. national security and should be investigated. Visitors visit the booth of Douyin (Tiktok) at the 2019 Smart Expo in Hangzhou, east China’s Zhejiang province, Oct. 18, 2019.- PHOTOGRAPH BY Costfoto / Barcroft Media via Getty Images.
A longer terms of use and privacy policy was also found in Chinese within Douyin. Translated into English, some highlights from the text include:
“The ‘face-changing’ effect presented by this function is a fictional image generated by the superimposition of our photos based on your photos. In order to show that the original work has been modified and the video generated using this function is not a real video, we will mark the video generated using this function. Do not erase the mark in any way.”
“The information collected during the aforementioned detection process and using your photos to generate face-changing videos is only used for live detection and matching during face-changing. It will not be used for other purposes . . . And matches are deleted immediately and your facial features are not stored.”
“When you use this function, you can only use the materials provided by us, you cannot upload the materials yourself. The materials we provide have been authorized by the copyright owner”.
“According to the ‘Children’s Internet Personal Information Protection Regulations’ and the relevant provisions of laws and regulations, in order to protect the personal information of children / youths, this function restricts the use of minors”.
We reached out to TikTok and Douyin for comment regarding the deepfakes feature, when it might launch, how the privacy of biometric scans are protected and the age limit. However, TikTok declined to answer those questions. Instead, a spokesperson insisted that “after checking with the teams I can confirm this is definitely not a function in TikTok, nor do we have any intention of introducing it. I think what you may be looking at is something slated for Douyin – your email includes screenshots that would be from Douyin, and a privacy policy that mentions Douyin. That said, we don’t work on Douyin here at TikTok.” They later told TechCrunch that “The inactive code fragments are being removed to eliminate any confusion,” which implicitly confirms that Face Swap code was found in TikTok.
A Douyin spokesperson tells TechCrunch “Douyin follows the laws and regulations of the jurisdictions in which it operates, which is China.” They denied that the Face Swap terms of service appear in TikTok despite TechCrunch reviewing code from the app showing those terms of service and the feature’s functionality.

This is suspicious, and doesn’t explain why code for the deepfakes feature and special terms of service in English for the feature appear in TikTok, and not just Douyin, where the app can already be activated and a longer terms of service was spotted. TikTok’s U.S. entity has previously denied complying with censorship requests from the Chinese government in contradiction to sources who told The Washington Post that TikTok did censor some political and sexual content at China’s behest.
It’s possible that the deepfakes Face Swap feature never officially launches in China or the U.S. But it’s fully functional, even if unreleased, and demonstrates ByteDance’s willingness to embrace the controversial technology despite its reputation for misinformation and non-consensual pornography. At least it’s restricting the use of the feature by minors, only letting you face-swap yourself, and preventing users from uploading their own source videos. That avoids it being used to create dangerous misinformational videos like the slowed down one making House Speaker Nancy Pelosi seem drunk, or clips of people saying things as if they were President Trump.
“It’s very rare to see a major social networking app restrict a new, advanced feature to their users 18 and over only,” Watchful.ai co-founder and CEO Itay Kahana tells TechCrunch. “These deepfake apps might seem like fun on the surface, but they should not be allowed to become trojan horses, compromising IP rights and personal data, especially personal data from minors who are overwhelmingly the heaviest users of TikTok to date.”
TikTok has already been banned by the U.S. Navy and ByteDance’s acquisition and merger of Musical.ly into TikTok is under investigation by the Committee on Foreign Investment in The United States. Deepfake fears could further heighten scrutiny.
With the proper safeguards, though, face-changing technology could usher in a new era of user-generated content where the creator is always at the center of the action. It’s all part of a new trend of personalized media that could be big in 2020. Social media has evolved from selfies to Bitmoji to Animoji to Cameos, and now consumerized deepfakes. When there are infinite apps and videos and notifications to distract us, making us the star could be the best way to hold our attention.
Powered by WPeMatico
TikTok may be the fastest-growing social network in the history of the internet, but it is also quickly becoming the fastest-growing security threat and thorn in the side of U.S. China hawks.
The latest, according to a notice published by the U.S. Navy this past week and reported on by Reuters and the South China Morning Post, is that TikTok will no longer be allowed to be installed on service members’ devices, or they may face expulsion from the military service’s intranet.
It’s just the latest example of the challenges facing the extremely popular app. Recently, Congress led by Missouri senator Josh Hawley demanded a national security review of TikTok and its Sequoia-backed parent company ByteDance, along with other tech companies that may share data with foreign governments like China. Concerns over the leaking of confidential communications recently led the U.S. government to demand the unwinding of the acquisition of gay social network app Grindr from its Chinese owner Beijing Kunlun.
The intensity of criticism on both sides of the Pacific has made it increasingly challenging to manage tech companies across the divide. As I recently discussed here on TechCrunch, Shutterstock has actively made it harder and harder to find photos deemed controversial by the Chinese government on its stock photography platform, a play to avoid losing a critical source of revenue.
We saw similar challenges with Google and its Project Dragonfly China-focused search engine as well as with the NBA.
What’s interesting here though is that companies on both sides are struggling with policy on both sides. Chinese companies like ByteDance are increasingly being targeted and stricken out of the U.S. market, while American companies have long struggled to get a foothold in the Middle Kingdom. That might be a more equal playing field than it has been in the past, but it is certainly a less free market than it could be.
While the trade fight between China and the U.S. continues, the damage will continue to fall on companies that fail to draw within the lines set by policymakers in both countries. Whether any tech company can bridge that divide in the future unfortunately remains to be seen.
Powered by WPeMatico
Founders, entrepreneurs, and tech executives in the know realize they may be able to avoid paying tax on all or part of the gain from the sale of stock in their companies — assuming they qualify.
If you’re a founder who’s interested in exploring this opportunity, put careful consideration put into the formation, operation and selling of your company.
Qualified Small Business Stock (QSBS) presents a significant tax savings opportunity for people who create and invest in small businesses. It allows you to potentially exclude up to $10 million, or 10 times your tax basis, whichever is greater, from taxation. For example, if you invested $2 million in QSBS in 2012, and sell that stock after five years for $20 million (10x basis) you could pay zero federal capital gains tax on that gain.
These tax savings can be so significant, that it’s one of a handful of high-priority items we’ll first discuss, when working with a founder or tech executive client. Surprisingly, most people in general either:
Founders who are scaling their companies usually have a lot on their minds, and tax savings and personal finance usually falls to the bottom of the list. For example, I recently met with someone who will walk away from their upcoming liquidity event with between $30-40 million. He qualifies for QSBS, but until our conversation, he hadn’t even considered leveraging it.
Instead of paying long-term capital gains taxes, how does 0% sound? That’s right — you may be able to exclude up to 100% of your federal capital gains taxes from selling the stake in your company. If your company is a venture-backed tech startup (or was at one point), there’s a good chance you could qualify.
In this guide I speak specifically to QSBS on a federal tax level, however it’s important to note that many states such as New York follow the federal treatment of QSBS, while states such as California and Pennsylvania completely disallow the exclusion. There is a third group of states, including Massachusetts and New Jersey, that have their own modifications to the exclusion. Like everything else I speak about here, this should be reviewed with your legal and tax advisors.
My team and I recently spoke with a founder whose company was being acquired. She wanted to do some financial planning to understand how her personal balance sheet would look post-acquisition, which is a savvy move.
We worked with her corporate counsel and accountant to obtain a QSBS representation from the company and modeled out the founder’s effective tax rate. She owned equity in the form of company shares, which met the criteria for qualifying as Section 1202 stock (QSBS). When she acquired the shares in 2012, her cost basis was basically zero.
A few months after satisfying the five-year holding period, a public company acquired her business. Her company shares, first acquired for basically zero, were now worth $15 million. When she was able to sell her shares, the first $10 million of her capital gains were completely excluded from federal taxation — the remainder of her gain was taxed at long-term capital gains.
This founder saved millions of dollars in capital gains taxes after her liquidity event, and she’s not the exception! Most founders who run a venture-backed C Corporation tech company can qualify for QSBS if they acquire their stock early on. There are some exceptions.

A frequently asked question as we start to discuss QSBS with our clients is: how do I know if I qualify? In general, you need to meet the following requirements:

When in doubt, follow this flowchart to see if you qualify:
Powered by WPeMatico
Instagram is done playing dumb about users’ ages. After nine years, Instagram is finally embracing more responsibility to protect underage kids from the problems with social media. It will now ask new users to input their birth date and bar users younger than 13 from joining. However, it won’t be asking existing users their age, so Instagram will turn a blind eye to any underage kids already amongst its 1 billion members.
Instagram will later start using age info to offer education about settings and new privacy controls for younger users. It’s also adding the option to only allow people you follow to message you, add you to a group or reply to your Story.
Yesterday we published an opinion piece noting that “Instagram still doesn’t age-check kids. That must change.” after receiving no-comments from Instagram after mobile researcher Jane Manchun Wong spotted Instagram prototyping an age-check feature. As the code she found indicated, Instagram will keep your birthday and date private, and sync it with your Facebook profile if you link your accounts.
Instagram had fallen far behind in protecting underage users. It’s relied on ignorance about users’ ages to avoid a $40,000 fine per violation of the Child Online Privacy Protection Act that bans services from collecting personal info from children younger than 13. “Asking for this information will help prevent underage people from joining Instagram, help us keep young people safer and enable more age-appropriate experiences overall,” Instagram notes.

Facebook, Snapchat and TikTok already require users to enter their birth date as soon as they start the signup process. TikTok built a whole separate section of its app where kids can watch videos but not post or comment, after it was fined $5.7 million by the FTC for violating COPPA.
As for why it took so long, an Instagram spokesperson tells TechCrunch, “Historically, we didn’t require people to tell us their age because we wanted Instagram to be a place where everyone can express themselves fully — irrespective of their identity.” That seems like a pretty thin excuse.
Adding the age check is a good first step for Instagram. But it should consider how it can do more to verify the ages users enter and keep out those who don’t belong exposed to strangers across the app. Moving in line with industry standards is attaining minimum viable responsibility. But an app so appealing to younger users and that deals in such sensitive data should be leading on safety, not just following the herd.
Powered by WPeMatico
Instagram dodges child safety laws. By not asking users their age upon signup, it can feign ignorance about how old they are. That way, it can’t be held liable for $40,000 per violation of the Child Online Privacy Protection Act. The law bans online services from collecting personally identifiable information about kids under 13 without parental consent. Yet Instagram is surely stockpiling that sensitive info about underage users, shrouded by the excuse that it doesn’t know who’s who.
But here, ignorance isn’t bliss. It’s dangerous. User growth at all costs is no longer acceptable.
It’s time for Instagram to step up and assume responsibility for protecting children, even if that means excluding them. Instagram needs to ask users’ age at sign up, work to verify they volunteer their accurate birthdate by all practical means, and enforce COPPA by removing users it knows are under 13. If it wants to allow tweens on its app, it needs to build a safe, dedicated experience where the app doesn’t suck in COPPA-restricted personal info.

Instagram is woefully behind its peers. Both Snapchat and TikTok require you to enter your age as soon as you start the sign up process. This should really be the minimum regulatory standard, and lawmakers should close the loophole allowing services to skirt compliance by not asking. If users register for an account, they should be required to enter an age of 13 or older.
Instagram’s parent company Facebook has been asking for birthdate during account registration since its earliest days. Sure, it adds one extra step to sign up, and impedes its growth numbers by discouraging kids to get hooked early on the social network. But it also benefits Facebook’s business by letting it accurately age-target ads.

Most importantly, at least Facebook is making a baseline effort to keep out underage users. Of course, as kids do when they want something, some are going to lie about their age and say they’re old enough. Ideally, Facebook would go further and try to verify the accuracy of a user’s age using other available data, and Instagram should too.
Both Facebook and Instagram currently have moderators lock the accounts of any users they stumble across that they suspect are under 13. Users must upload government-issued proof of age to regain control. That policy only went into effect last year after UK’s Channel 4 reported a Facebook moderator was told to ignore seemingly underage users unless they explicitly declared they were too young or were reported for being under 13. An extreme approach would be to require this for all signups, though that might be expensive, slow, significantly hurt signup rates, and annoy of-age users.

Instagram is currently on the other end of the spectrum. Doing nothing around age-gating seems recklessly negligent. When asked for comment about how why it doesn’t ask users’ ages, how it stops underage users from joining, and if it’s in violation of COPPA, Instagram declined to comment. The fact that Instagram claims to not know users’ ages seems to be in direct contradiction to it offering marketers custom ad targeting by age such as reaching just those that are 13.
Luckily, this could all change soon.
Mobile researcher and frequent TechCrunch tipster Jane Manchun Wong has spotted Instagram code inside its Android app that shows it’s prototyping an age-gating feature that rejects users under 13. It’s also tinkering with requiring your Instagram and Facebook birthdates to match. Instagram gave me a “no comment” when I asked about if these features would officially roll out to everyone.

Code in the app explains that “Providing your birthday helps us make sure you get the right Instagram experience. Only you will be able to see your birthday.” Beyond just deciding who to let in, Instagram could use this info to make sure users under 18 aren’t messaging with adult strangers, that users under 21 aren’t seeing ads for alcohol brands, and that potentially explicit content isn’t shown to minors.
Instagram’s inability to do any of this clashes with it and Facebook’s big talk this year about its commitment to safety. Instagram has worked to improve its approach to bullying, drug sales, self-harm, and election interference, yet there’s been not a word about age gating.

Meanwhile, underage users promote themselves on pages for hashtags like #12YearOld where it’s easy to find users who declare they’re that age right in their profile bio. It took me about 5 minutes to find creepy “You’re cute” comments from older men on seemingly underage girls’ photos. Clearly Instagram hasn’t been trying very hard to stop them from playing with the app.
I brought up the same unsettling situations on Musically, now known as TikTok, to its CEO Alex Zhu on stage at TechCrunch Disrupt in 2016. I grilled Zhu about letting 10-year-olds flaunt their bodies on his app. He tried to claim parents run all of these kids’ accounts, and got frustrated as we dug deeper into Musically’s failures here.
Thankfully, TikTok was eventually fined $5.7 million this year for violating COPPA and forced to change its ways. As part of its response, TikTok started showing an age gate to both new and existing users, removed all videos of users under 13, and restricted those users to a special TikTok Kids experience where they can’t post videos, comment, or provide any COPPA-restricted personal info.
If even a Chinese app social media app that Facebook CEO has warned threatens free speech with censorship is doing a better job protecting kids than Instagram, something’s gotta give. Instagram could follow suit, building a special section of its apps just for kids where they’re quarantined from conversing with older users that might prey on them.
Perhaps Facebook and Instagram’s hands-off approach stems from the fact that CEO Mark Zuckerberg doesn’t think the ban on under-13-year-olds should exist. Back in 2011, he said “That will be a fight we take on at some point . . . My philosophy is that for education you need to start at a really, really young age.” He’s put that into practice with Messenger Kids which lets 6 to 12-year-olds chat with their friends if parents approve.
The Facebook family of apps’ ad-driven business model and earnings depend on constant user growth that could be inhibited by stringent age gating. It surely doesn’t want to admit to parents it’s let kids slide into Instagram, that advertisers were paying to reach children too young to buy anything, and to Wall Street that it might not have 2.8 billion legal users across its apps as it claims.

But given Facebook and Instagram’s privacy scandals, addictive qualities, and impact on democracy, it seems like proper age-gating should be a priority as well as the subject of more regulatory scrutiny and public concern. Society has woken up to the harms of social media, yet Instagram erects no guards to keep kids from experiencing those ills for themselves. Until it makes an honest effort to stop kids from joining, the rest of Instagram’s safety initiatives ring hollow.
Powered by WPeMatico
Instagram is hiding Like counts to make people feel better. But what if you’re curious, competitive or just petty? Now you can re-embrace the popularity contest by installing the Socialinsider Chrome extension that reveals Instagram Like and comment counts. “The Return of the Likes” extension overlays the numbers of Likes and comments on the top-right corner of posts on Instagram’s website. If you don’t want Instagram’s overprotective helicopter parenting, now you can download the extension here to put an end to it.

Obviously, it’s not as useful as showing Like counts right in the Instagram mobile app. You probably aren’t going to switch to browsing Insta just on the web, but if you see a post you want to know the Like count of, you can easily send yourself the permalink and open it on a computer.
Instagram is currently testing hiding Like counts with a percentage of users in every country worldwide. It started the experiment in Canada in April before adding six more countries in July and then the U.S. last month. Facebook launched a similar hidden likes experiment in Australia in September.
TechCrunch tested Return of the Likes and verified that it works. It comes from social media analytics company Socialinsider, which offers software for measuring engagement and benchmarking performance against competitors. The company insists that “No data is sent to Socialinsider servers.” We asked Instagram if the Chrome extension was in compliance with the app’s rules, and will update if we hear back.

As social media evolves, the emerging trend is for platforms to step in to protect users. In many cases, it’s warranted. Like counts can hurt people’s well-being by leading them into envy spirals comparing themselves against peers, or coercing them to self-censor to avoid an embarrassingly low Like count. Still, the question remains whether users deserve control over their own experience. Should we be able to opt back in to seeing Like counts, the way we have controls over block lists of offensive words?
After the platforms step up to ensure safety, we’ll have to decide when we want to step in and demand to see what’s been covered up.
Additional reporting by Lucas Matney
Powered by WPeMatico
In June, TechCrunch Ethicist in Residence Greg M. Epstein attended EmTech Next, a conference organized by the MIT Technology Review. The conference, which took place at MIT’s famous Media Lab, examined how AI and robotics are changing the future of work.
Greg’s essay, Will the Future of Work Be Ethical? reflects on his experiences at the conference, which produced what he calls “a religious crisis, despite the fact that I am not just a confirmed atheist but a professional one as well.” In it, Greg explores themes of inequality, inclusion and what it means to work in technology ethically, within a capitalist system and market economy.
Accompanying the story for Extra Crunch are a series of in-depth interviews Greg conducted around the conference, with scholars, journalists, founders and attendees.
Below, Greg speaks to two founders of innovative startups whose work provoked much discussion at the EmTech Next conference. Moxi, the robot assistant created by Andrea Thomasz of Diligent Robotics and her team, was a constant presence in the Media Lab reception hall immediately outside the auditorium in which all the main talks took place. And Prayag Narula of LeadGenius was featured, alongside leading tech anthropologist Mary Gray, in a panel on “Ghost Work” that sparked intense discussion throughout the conference and beyond.
Could you give a sketch of your background?
Andrea Thomaz: I was always doing math and science, and did electrical engineering as an Undergrad at UT Austin. Then I came to MIT to do my PhD. It really wasn’t until grad school that I started doing robotics. I went to grad school interested in doing AI and was starting to get interested in this new machine learning that people were starting to talk about. In grad school, at the MIT Media Lab, Cynthia Breazeal was my advisor, and that’s where I fell in love with social robots and making robots that people want to be around and are also useful.
Say more about your journey at the Media Lab?
My statement of purpose for the Media Lab, in 1999, was that I thought that computers that were smarter would be easier to use. I thought AI was the solution to HCI [Human-computer Interaction]. So I came to the Media Lab because I thought that was the mecca of AI plus HCI.
It wasn’t until my second year as a student there that Cynthia finished her PhD with Rod Brooks and started at the Media Lab. And then I was like, “Oh wait a second. That’s what I’m talking about.”
Who is at the Media Lab now that’s doing interesting work for you?
For me, it’s kind of the same people. Patty Maes has kind of reinvented her group since those days and is doing fluid interfaces; I always really appreciate the kind of things they’re working on. And Cynthia, her work is still very seminal in the field.
So now, you’re a CEO and Founder?
CEO and Co-Founder of Diligent Robotics. I had twelve years in academia in between those. I finished my PhD, went and I was a professor at Georgia Tech in computing, teaching AI and robotics and I had a robotics lab there.
Then I got recruited away to UT Austin in electrical and computer engineering. Again, teaching AI and having a robotics lab. Then at the end of 2017, I had a PhD student who was graduating and also interested in commercialization, my Co-Founder and CTO Vivian Chu.
Let’s talk about the purpose of the human/robot interaction. In the case of your company, the robot’s purpose is to work alongside humans in a medical setting, who are doing work that is not necessarily going to be replaced by a robot like Moxi. How does that work exactly?
One of the reasons our first target market [is] hospitals is, that’s an industry where they’re looking for ways to elevate their staff. They want their staff to be performing, “at the top of their license.” You hear hospital administrators talking about this because there’s record numbers of physician burnout, nurse burnout, and turnover.
They really are looking for ways to say, “Okay, how can we help our staff do more of what they were trained to do, and not spend 30% of their day running around fetching things, or doing things that don’t require their license?” That for us is the perfect market [for] collaborative robots.” You’re looking for ways to automate things that the people in the environment don’t need to be doing, so they can do more important stuff. They can do all the clinical care.
In a lot of the hospitals we’re working with, we’re looking at their clinical workflows and identifying places where there’s a lot of human touch, like nurses making an assessment of the patient. But then the nurse finishes making an assessment [and] has to run and fetch things. Wouldn’t it be better if as soon as that nurse’s assessment hit the electronic medical record, that triggered a task for the robot to come and bring things? Then the nurse just gets to stay with the patient.
Those are the kind of things we’re looking for: places you could augment the clinical workflow with some automation and increase the amount of time that nurses or physicians are spending with patients.
So your robots, as you said before, do need human supervision. Will they always?
We are working on autonomy. We do want the robots to be doing things autonomously in the environment. But we like to talk about care as a team effort; we’re adding the robot to the team and there’s parts of it that the robot’s doing and parts of it that the human’s doing. There may be places where the robot needs some input or assistance and because it’s part of the clinical team. That’s how we like to think about it: if the robot is designed to be a teammate, it wouldn’t be very unusual for the robot to need some help or supervision from a teammate.
That seems different than what you could call Ghost Work.
Right. In most service robots being deployed today, there is this remote supervisor that is either logged in and checking in on the robots, or at least the robots have the ability to phone home if there’s some sort of problem.
That’s where some of this Ghost Work comes in. People are monitoring and keeping track of robots in the middle of the night. Certainly that may be part of how we deploy our robots as well. But we also think that it’s perfectly fine for some of that supervision or assistance to come out into the forefront and be part of the face-to-face interaction that the robot has with some of its coworkers.
Since you could potentially envision a scenario in which your robots are monitored from off-site, in a kind of Ghost Work setting, what concerns do you have about the ways in which that work can be kind of anonymized and undercompensated?
Currently we are really interested in our own engineering staff having high-touch customer interaction that we’re really not looking to anonymize. If we had a robot in the field and it was phoning home about some problem that was happening, at our early stage of the company, that is such a valuable interaction that in our company that wouldn’t be anonymous. Maybe the CTO would be the one phoning in and saying, “What happened? I’m so interested.”
I think we’re still at a stage where all of the customer interactions and all of the information we can get from robots in the field are such valuable pieces of information.
But how are you envisioning best-case scenarios for the future? What if your robots really are so helpful that they’re very successful and people want them everywhere? Your CTO is not going to take all those calls. How could you do this in a way that could make your company very successful, but also handle these responsibilities ethically?
Powered by WPeMatico
In June, TechCrunch Ethicist in Residence Greg M. Epstein attended EmTech Next, a conference organized by the MIT Technology Review. The conference, which took place at MIT’s famous Media Lab, examined how AI and robotics are changing the future of work.
Greg’s essay, Will the Future of Work Be Ethical? reflects on his experiences at the conference, which produced what he calls “a religious crisis, despite the fact that I am not just a confirmed atheist but a professional one as well.” In it, Greg explores themes of inequality, inclusion and what it means to work in technology ethically, within a capitalist system and market economy.
Accompanying the story for Extra Crunch are a series of in-depth interviews Greg conducted around the conference, with scholars, journalists, founders and attendees.
Below he speaks to two conference attendees who had crucial insights to share. Meili Gupta is a high school senior at Phillips Exeter Academy, an elite boarding school in New Hampshire; Gupta attended the EmTech Next conference with her mother and has attended with family in previous years as well; her voice and thoughts on privilege and inequality in education and technology are featured prominently in Greg’s essay. Walter Erike is a 31-year-old independent consultant and SAP Implementation Senior Manager. from Philadelphia. Between conference session, he and Greg talked about diversity and inclusion at tech conferences and beyond.
Greg Epstein: How did you come to be at EmTech Next?
Meili Gupta: I am a rising high school senior at Phillips Exeter Academy; I’m one of the managing editors for my school’s science magazine called Matter Magazine.
I [also] attended the conference last year. My parents have come to these conferences before, and that gave me an opportunity to come. I am particularly interested in the MIT Technology Review because I’ve grown up reading it.
You are the Managing Editor of Matter, a magazine about STEM at your high school. What subjects that Matter covers are most interesting to you?
This year we published two issues. The first featured a lot of interviews from top {AI} professors like Professor Fei-Fei Li, at Stanford. We did a review for her and an interview with Professor Olga Russakovsky at Princeton. That was an AI special issue and, being at this conference you hear about how AI will transform industries.
The second issue coincided with Phillips Exeter Global Climate Action Day. We focused both on environmentalism clubs at Exeter and environmentalism efforts worldwide. I think Matter, as the only stem magazine on campus has a responsibility in doing that.
AI and climate: in a sense, you’ve already dealt with this new field people are calling the ethics of technology. When you hear that term, what comes to mind?
As a consumer of a lot of technology and as someone of the generation who has grown up with a phone in my hand, I’m aware my data is all over the internet. I’ve had conversations [with friends] about personal privacy and if I look around the classroom, most people have covers for the cameras on their computers. This generation is already aware [of] ethics whenever you’re talking about computing and the use of computers.
About AI specifically, as someone who’s interested in the field and has been privileged to be able to take courses and do research projects about that, I’m hearing a lot about ethics with algorithms, whether that’s fake news or bias or about applying algorithms for social good.
What are your biggest concerns about AI? What do you think needs to be addressed in order for us to feel more comfortable as a society with increased use of AI?
That’s not an easy answer; it’s something our society is going to be grappling with for years. From what I’ve learned at this conference, from what I’ve read and tried to understand, it’s a multidimensional solution. You’re going to need computer programmers to learn the technical skills to make their algorithms less biased. You’re going to need companies to hire those people and say, “This is our goal; we want to create an algorithm that’s fair and can do good.” You’re going to need the general society to ask for that standard. That’s my generation’s job, too. WikiLeaks, a couple of years ago, sparked the conversation about personal privacy and I think there’s going to be more sparks.
Seems like your high school is doing some interesting work in terms of incorporating both STEM and a deeper, more creative than usual focus on ethics and exploring the meaning of life. How would you say that Exeter in particular is trying to combine these issues?
I’ll give a couple of examples of my experience with that in my time at Exeter, and I’m very privileged to go to a school that has these opportunities and offerings for its students.
Don’t worry, that’s in my next question.
Absolutely. With the computer science curriculum, starting in my ninth grade they offered a computer science 590 about [introduction to] artificial intelligence. In the fall another 590 course was about self driving cars, and you saw the intersection between us working in our robotics lab and learning about computer vision algorithms. This past semester, a couple students, and I was involved, helped to set up a 999: an independent course which really dove deep into machine learning algorithms. In the fall, there’s another 590 I’ll be taking called social innovation through software engineering, which is specifically designed for each student to pick a local project and to apply software, coding or AI to a social good project.
I’ve spent 15 years working at Harvard and MIT. I’ve worked around a lot of smart and privileged people and I’ve supported them. I’m going to ask you a question about Exeter and about your experience as a privileged high school student who is getting a great education, but I don’t mean it from a perspective of it’s now me versus you.
Of course you’re not.
I’m trying to figure this out for myself as well. We live in a world where we’re becoming more prepared to talk about issues of fairness and justice. Yet by even just providing these extraordinary educational experiences to people like you and me and my students or whomever, we’re preparing some people for that world better than others. How do you feel about being so well prepared for this sort of world to come that it can actually be… I guess my question is, how do you relate to the idea that even the kinds of educational experiences that we’re talking about are themselves deepening the divide between haves and have nots?
I completely agree that the issue between haves and have nots needs to be talked about more, because inequality between the upper and the lower classes is growing every year. This morning, Mr. Isbell from Georgia Tech talk was really inspiring. For example, at Phillips Exeter, we have a social service club called ESA which houses more than 70 different social service clubs. One I’m involved with, junior computer programming, teaches programming to local middle school students. That’s the type of thing, at an individual level and smaller scale, that people can try to help out those who have not been privileged with opportunities to learn and get ahead with those skills.
What Mr. Isbell was talking about this morning was at a university level and also tying in corporations bridge that divide. I don’t think that the issue itself should necessarily scare us from pushing forward to the frontier to say, the possibility that everybody who does not have a computer science education in five years won’t have a job.
Today we had that debate about role or people’s jobs and robot taxes. That’s a very good debate to have, but it sometimes feeds a little bit into the AI hype and I think it may be a disgrace to society to try to pull back technology, which has been shown to have the power to save lives. It can be two transformations that are happening at the same time. One, that’s trying to bridge an inequality and is going to come in a lot of different and complicated solutions that happen at multiple levels and the second is allowing for a transformation in technology and AI.
What are you hoping to get out of this conference for yourself, as a student, as a journalist, or as somebody who’s going into the industry?
The theme for this conference is the future of the workforce. I’m a student. That means I’m going to be the future of the workforce. I was hoping to learn some insight about what I may want to study in college. After that, what type of jobs do I want to pursue that are going to exist and be in demand and really interesting, that have an impact on other people? Also, as a student, in particular that’s interested in majoring in computer science and artificial intelligence, I was hoping to learn about possible research projects that I could pursue in the fall with this 590 course.
Right now, I’m working on a research project with a Professor at the University of Maryland about eliminating bias in machine learning algorithms. What type of dataset do I want to apply that project to? Where is the need or the attention for correcting bias in the AI algorithms?
As a journalist, I would like to write a review summarizing what I’ve learned so other [Exeter students] can learn a little too.
What would be your biggest critique of the conference? What could be improved?
Powered by WPeMatico