photoshop
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Adobe today announced the launch of a new asset management tool, Adobe Experience Manager Assets Essentials. That’s a mouthful, but while the company didn’t necessarily simplify the name, the idea here is to give teams that work with lots of digital assets an easier-to-use management experience in the Adobe Experience Cloud than Adobe’s current enterprise-centric asset management tool can offer.
In addition, Adobe is also launching the first tool to integrate this new experience: the Adobe Journey Optimizer. This new tool is meant to help users leverage their customer data to build out customer journeys and figure out the best ways to deliver messages and content along that journey.
“The push towards digital content and building these richer, engaging experiences — customers expect it,” Elliot Sedegah, director of Strategy and Product Marketing, Adobe, told me. “Almost every interaction that you go along, you expect a rich experience. And not only at that point of just having richer material, like images or video, etc., but you expect it at every point of interaction with that customer. So that customer, if you think of it, isn’t just interacting with a brand, but our customers, they think of it as a customer journey. So using the same content, from awareness to conversion to post-sale and loyalty — they expect that same story to maintain. And it’s getting increasingly hard to get to all the different touchpoints.”
Like with similar products, the idea here is to create a centralized, collaborative space for content creators and the teams that use their work. In that respect, this new tool isn’t necessarily all that different from other shared online file management services. But Adobe is also leveraging some of its unique capabilities. It’s using its AI smarts and Adobe Sensei platform to help users organize and tag their assets, for example, to make them more easily searchable. And the new tool is integrated with Adobe Asset Link, so creative professionals can search, browse and edit these assets directly from Photoshop, Illustrator, InDesign and XD without having to switch context.
As Sedegah noted, not too long ago, it was mostly the creative teams and marketing that were involved in the content creation and management process. But today, this group also includes sales teams and customer support, for example, and the pandemic only accelerated this process.
“[Our customers] have been forced to rethink their business models, rethink the way that they engage with customers — and it essentially accelerated this digital-everywhere process of the experiences customers get, the agility that customers expect from businesses, and then the number of people — and how they work — leveraging that content.”
So while Adobe’s enterprise asset management tools worked just fine before, the company’s users were telling it that it needed to do a better job at creating tools that made its asset management technology easier to use by more teams.
The first tool to integrate this new asset management experience directly is the Journey Optimizer. “That was a great opportunity for us to rethink that user experience that our customers wanted to deliver — and then make it easier for that person to do,” Sedegah said. “So as you’re building out a content journey — or maybe you’re designing a piece of content that’s going to get sent to maybe a customer as they engage with a brand — the digital assets appear right there for that author to use.”
Next up for integration is Workfront, the work management platform Adobe acquired last year. There’s an obvious synergy here between Workfront’s abilities to manage the planning, review and approval stages of a project and an asset management system like this.
The long-term strategy, though, is to integrate this experience across all Experience Cloud applications.
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1. Adobe Photoshop arrives on the iPad
Adobe has released Photoshop for the iPad, making good on an announcement that it made last October.
The tablet version of the popular photo-editing software is free to download, and includes a 30-day free trial. After that it’s $9.99 per month via in-app purchase, or you can get access as part of an Adobe Creative Cloud subscription.
2. Cortana wants to be your personal executive assistant and read your emails to you, too
At its Ignite conference, Microsoft announced a number of new features that help Cortana to become even more useful in your day-to-day work, all of which fit into the company’s overall vision of AI as a tool that is helpful and augments human intelligence.
3. Apple commits $2.5 billion to address California’s housing crisis and homelessness issues
The investment includes a $1 billion commitment to an affordable housing investment fund, $1 billion toward a first-time homebuyer mortgage assistance fund and $300 million in Apple-owned land that will be made available for affordable housing.
4. A startup just launched red wine to the International Space Station to age for 12 months
The wine isn’t being sent just to help the ISS astronauts relax. Instead, it’s part of an experiment that will study how the aging process for wine is affected by a microgravity, space-based environment.
5. Lemonade gets a nastygram from Deutsche Telekom over its use of magenta, says it will fight
Deutsche Telekom’s German lawyers have sent a letter to AI insurance startup Lemonade, demanding it cease using magenta — a color that appears across Lemonade’s logo and marketing material — globally.
6. Where tech companies should look to expand
Zillow’s Cheryl Young says the company has analyzed data to determine the best markets that provide fertile environments for startups or tech companies looking to put down stakes for their next office.
7. This week’s TechCrunch podcasts
On the latest episode of Equity, Alex and Kate discuss Sam Altman’s investment in Quill, a company that could eventually challenge Slack. And on Original Content, we review the Netflix series “Living with Yourself,” in which Paul Rudd plays two different versions of the same man.
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Instagram and Snapchat have changed the way people look at photo editing. What was once a task limited to those with wildly expensive tools and years of training has become accessible to anyone with a smartphone. These apps and their filters aren’t going to replace Photoshop for the pros… but for people just looking to upload a quick selfie to their story, they’re Good Enough
.
Adobe realizes this, and now they’re looking to flex a bit.
This morning the company announced Photoshop Camera, an AI-driven photo-editing app for iOS and Android. Take a picture (or grab one from your camera roll), and Photoshop Camera will near-instantly analyze it and offer up a drawer full of potential enhancements, from basics like shadows/highlight tweaks, to more complicated things like swapping out the sky in a complicated cityscape.
It recognizes what’s in the photo — be it food, people or distant mountains — and bubbles the most relevant “lenses” (think filters) up to the top. All lenses and effects are non-destructive, so you can quickly roll back any changes it makes.
Powering the AI is years and years of data. Adobe has hundreds of millions of photos in its stock photo collection, along with the data on which of these photos people tend to buy and use. Perhaps most importantly, they have the tooling data on how photo editors take a picture and get it from point A to point B.
I saw the app in action last week. While it’s tough to gauge how well something like this works in a quick demo, the results I saw were pretty astounding. It took a solid but basic landscape photo and made it look like something out of a nature magazine. It took a photo of food on a table and, in a split second, identified which parts of the photo were food and tweaked just those regions to make the colors shine.
Adobe tells me that it’s working with artists — Billy Eilish, for example — to create custom filters and lenses. Adobe CTO Abhay Parasnis also hinted to me at the possibility of limited-edition, region-locked lenses — like, say, those that only appear when you’re at a music festival or conference.
One catch: If you want to use the app anytime in 2019, you’ll have to get Adobe’s thumbs-up. It’s going to be in private “preview” mode until sometime in 2020, when it rolls out to everybody. You can sign up for the preview here.




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Adobe currently has three dozens apps in the App Store. But one app is still missing. According to a report from Bloomberg, the company could be working on a full-fledged version of Photoshop for the iPad. And it makes sense for a ton of reasons.
First, it’s clear that the iPad has become powerful enough to run complicated image editing software. Just two days ago, Serif launched Affinity Designer for the iPad, an Adobe Illustrator competitor. You can also look at benchmarks to find out that the iPad Pro is now more powerful than most mid-range laptops.
Second, now that you can effortlessly sync your files and projects across multiple devices, many people work using multiple devices. It’s been true for many years if you’re just working on a Microsoft Word file on your work computer and your personal laptop for instance. Maybe you use Dropbox or OneDrive to stay on the same page. But it’s also true with huge media libraries now.
A few years ago, people looked at their devices based on contexts. Maybe you had a work laptop, a couch-computing iPad, a big desktop computer for games, etc. But this is a thing of the past now that you can literally work from all your devices.
And when it comes to Photoshop, the Apple Pencil and touch screen makes the iPad a particularly useful device. Maybe you need a big screen to look at a photo, but maybe you want to use the Apple Pencil to interact with the photo.
Bringing Photoshop to the iPad could let you seamlessly work on the same file across multiple devices, switching back and forth between those two devices. Illustrators could really use this kind of flexibility and ditch their Wacom tablet.
You might remember that Apple has put together a Pro Workflow Team for the same reason. You could imagine launching Final Cut Pro X or Logic Pro X on an iMac and on an iPad to interact with a project in different ways. Apple may not be working on Macs with a touchscreen, but it’s clear that there will be ways to interact with a creative project using your finger or the Apple Pencil.
Finally, bringing Photoshop to the iPad makes sense on a business model perspective. Now that Adobe has shifted to a subscription model, the company needs to increase stickiness as much as possible. If you end up spending more time in Adobe apps because your favorite app is on all platforms, you’ll keep paying for Creative Cloud every month.
This project will be an engineering achievement. But this isn’t the first time Adobe is developing a single app for multiple platforms.
TIL the new Lightroom CC is almost entirely built in Lua, running the same codebase on iOS, Mac, Windows & Android using Adobe’s new UI system & design language. Seems significant…
— Steve Troughton-Smith (@stroughtonsmith) July 13, 2018
Bloomberg says that we might hear more from Photoshop for iPad at the Adobe Max conference in October. Adobe’s chief product officer of Creative Cloud Scott Belsky confirmed that the company was working on releasing these new versions as quickly as possible.
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While Photoshop users have gotten pretty damn good at masking humans and other subjects over the years, it still remains one of the most tedious tasks in the app. But the days of Magic Wand masking will soon be over.
Adobe today teased an upcoming feature that uses AI to identify and automatically mask subjects in the image. The feature is called Select Subject and it uses Adobe’s AI… Read More
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