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Getty Images leads $16M investment in Promo.com, a social video template tool

The social video tool Promo.com just raised $16 million in a Series B round led by Getty Images, the company synonymous with stock imagery.

Brands, creators or whoever else might need some quick and dirty video content can search Promo.com for what they need, just like they would use a stock photography service. Getty offers its own library of stock videos as well, but Promo.com provides both the video clips and the tools for non-editors to craft a basic edit with a little bit of customization.

Brands can select an existing professional video clip from a library, plug in their own message and add a logo or custom audio. All that’s left is downloading the customized video and whisking it off to their social channels.

Mizrahi-Tefahot Bank, one of the largest banks in Israel, also participated in the Series B round through debt financing. Promo.com’s existing “strategic partnership” with Getty Images will deepen as part of the deal, giving the former company access to the latter’s expansive existing pool of video clips.

Promo.com video library

Image Credits: Screenshot/Promo.com

Of course, Promo.com isn’t the only show in town. Video creation platform Biteable raised $7 million of its own in December, and similarly allows companies to make bright, bite-sized video content for social. The super streamlined graphic design platform Canva also supports video editing with its own library of stock images. Vimeo offers its own video template service too, known as Vimeo Create, which grew out of the company’s acquisition of the AI-powered video editor Magisto.

 

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Adobe launches a new, simplified digital asset manager

Adobe today announced the launch of a new asset management tool, Adobe Experience Manager Assets Essentials. That’s a mouthful, but while the company didn’t necessarily simplify the name, the idea here is to give teams that work with lots of digital assets an easier-to-use management experience in the Adobe Experience Cloud than Adobe’s current enterprise-centric asset management tool can offer.

In addition, Adobe is also launching the first tool to integrate this new experience: the Adobe Journey Optimizer. This new tool is meant to help users leverage their customer data to build out customer journeys and figure out the best ways to deliver messages and content along that journey.

“The push towards digital content and building these richer, engaging experiences — customers expect it,” Elliot Sedegah, director of Strategy and Product Marketing, Adobe, told me. “Almost every interaction that you go along, you expect a rich experience. And not only at that point of just having richer material, like images or video, etc., but you expect it at every point of interaction with that customer. So that customer, if you think of it, isn’t just interacting with a brand, but our customers, they think of it as a customer journey. So using the same content, from awareness to conversion to post-sale and loyalty — they expect that same story to maintain. And it’s getting increasingly hard to get to all the different touchpoints.”

Image Credits: Adobe

Like with similar products, the idea here is to create a centralized, collaborative space for content creators and the teams that use their work. In that respect, this new tool isn’t necessarily all that different from other shared online file management services. But Adobe is also leveraging some of its unique capabilities. It’s using its AI smarts and Adobe Sensei platform to help users organize and tag their assets, for example, to make them more easily searchable. And the new tool is integrated with Adobe Asset Link, so creative professionals can search, browse and edit these assets directly from Photoshop, Illustrator, InDesign and XD without having to switch context.

As Sedegah noted, not too long ago, it was mostly the creative teams and marketing that were involved in the content creation and management process. But today, this group also includes sales teams and customer support, for example, and the pandemic only accelerated this process.

Image Credits: Adobe

“[Our customers] have been forced to rethink their business models, rethink the way that they engage with customers — and it essentially accelerated this digital-everywhere process of the experiences customers get, the agility that customers expect from businesses, and then the number of people — and how they work — leveraging that content.”

So while Adobe’s enterprise asset management tools worked just fine before, the company’s users were telling it that it needed to do a better job at creating tools that made its asset management technology easier to use by more teams.

The first tool to integrate this new asset management experience directly is the Journey Optimizer. “That was a great opportunity for us to rethink that user experience that our customers wanted to deliver — and then make it easier for that person to do,” Sedegah said. “So as you’re building out a content journey — or maybe you’re designing a piece of content that’s going to get sent to maybe a customer as they engage with a brand — the digital assets appear right there for that author to use.”

Next up for integration is Workfront, the work management platform Adobe acquired last year. There’s an obvious synergy here between Workfront’s abilities to manage the planning, review and approval stages of a project and an asset management system like this.

The long-term strategy, though, is to integrate this experience across all Experience Cloud applications.

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Adobe’s ‘Liquid Mode’ uses AI to automatically redesign PDFs for mobile devices

We’ve probably all been there: You’ve been poking around your phone for an hour, deep in some sort of Google research rabbit hole. You finally find a link that almost certainly has the info you’ve been looking for. You tap it… aaaand it’s a 50-page PDF. Now you get to pinch and zoom your way through a document that’s clearly not meant for a screen that fits in your hand.

Given that the file format is approaching its 30th birthday, it makes sense that PDFs aren’t exactly built for modern mobile devices. But neither PDFs nor smartphones are going away anytime soon, so Adobe has been working on a way to make them play nicely together.

This morning Adobe is launching a feature it calls “Liquid Mode.” Liquid Mode taps Adobe’s AI engine, Sensei, to analyze a PDF and automatically rebuild it for mobile devices. It uses machine learning to chew through the PDF and try to work out what’s what — like the font changes that indicate a new section is starting, or how data is being displayed in a table — and reflow it all for smaller screens.

After a few months of quiet testing, Liquid Mode is being publicly rolled out in Adobe’s Acrobat Reader app for iOS and Android today, with plans to bring it to desktops later. Adobe CTO Abhay Parasnis also tells me they’ve been working on an API that’ll allow similar functionality to be rolled into non-Adobe apps down the road.

When you open a PDF in Acrobat Reader, the app will try to determine if it’ll work with Liquid Mode; if so, the Liquid Mode button lights up. Tap the button and the file is sent to Adobe’s Document Cloud for processing. Once complete, users can tweak to their liking things like the font size and line spacing. Liquid Mode will use the headers/structure it detects to build a tappable table of contents where none existed before, allowing you to quickly hop from section to section. The whole thing is non-destructive, so nothing actually changes about the original PDF. Step back out of Liquid Mode and you’re back at the original, unmodified PDF. 

Image Credits: Adobe

We first heard about Adobe’s efforts here earlier this year; in an Extra Crunch interview back in January, Parasnis outlined Adobe’s plans to bring AI and machine learning into just about everything the company does. Parasnis tells me that Liquid Mode is just the first step in giving Sensei an understanding of documents. Later, he notes, they want users to be able to hand Sensei a 30-page PDF and have it return a summary just a few pages long.

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Adobe could bring Photoshop to the iPad

Adobe currently has three dozens apps in the App Store. But one app is still missing. According to a report from Bloomberg, the company could be working on a full-fledged version of Photoshop for the iPad. And it makes sense for a ton of reasons.

First, it’s clear that the iPad has become powerful enough to run complicated image editing software. Just two days ago, Serif launched Affinity Designer for the iPad, an Adobe Illustrator competitor. You can also look at benchmarks to find out that the iPad Pro is now more powerful than most mid-range laptops.

Second, now that you can effortlessly sync your files and projects across multiple devices, many people work using multiple devices. It’s been true for many years if you’re just working on a Microsoft Word file on your work computer and your personal laptop for instance. Maybe you use Dropbox or OneDrive to stay on the same page. But it’s also true with huge media libraries now.

A few years ago, people looked at their devices based on contexts. Maybe you had a work laptop, a couch-computing iPad, a big desktop computer for games, etc. But this is a thing of the past now that you can literally work from all your devices.

And when it comes to Photoshop, the Apple Pencil and touch screen makes the iPad a particularly useful device. Maybe you need a big screen to look at a photo, but maybe you want to use the Apple Pencil to interact with the photo.

Bringing Photoshop to the iPad could let you seamlessly work on the same file across multiple devices, switching back and forth between those two devices. Illustrators could really use this kind of flexibility and ditch their Wacom tablet.

You might remember that Apple has put together a Pro Workflow Team for the same reason. You could imagine launching Final Cut Pro X or Logic Pro X on an iMac and on an iPad to interact with a project in different ways. Apple may not be working on Macs with a touchscreen, but it’s clear that there will be ways to interact with a creative project using your finger or the Apple Pencil.

Finally, bringing Photoshop to the iPad makes sense on a business model perspective. Now that Adobe has shifted to a subscription model, the company needs to increase stickiness as much as possible. If you end up spending more time in Adobe apps because your favorite app is on all platforms, you’ll keep paying for Creative Cloud every month.

This project will be an engineering achievement. But this isn’t the first time Adobe is developing a single app for multiple platforms.

TIL the new Lightroom CC is almost entirely built in Lua, running the same codebase on iOS, Mac, Windows & Android using Adobe’s new UI system & design language. Seems significant… 🤭

— Steve Troughton-Smith (@stroughtonsmith) July 13, 2018

Bloomberg says that we might hear more from Photoshop for iPad at the Adobe Max conference in October. Adobe’s chief product officer of Creative Cloud Scott Belsky confirmed that the company was working on releasing these new versions as quickly as possible.

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Adobe Updates Creative Cloud With Focus On Improved Workflows And Mobile, Announces New Portfolio Service

5d04c12e7981976d128a7a2292123f73 Adobe is kicking off its annual MAX conference in Los Angeles today. Traditionally, this is where the company announces its latest updates and gives us a glimpse of the new features it’s working on for products like Photoshop, Lightroom, Illustrator and Premiere Pro. This year is no exception. The company is launching a slew of new features for almost all of its Creative Cloud products… Read More

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